✨ For this challenge, I reimagined an Arts and Crafts cabinet from The Metropolitan Museum of Art’s Open Access collection by bringing the painted figures on its surface to life.

🎨 What interested me most was the relationship between the painting and the cabinet as a physical object. Instead of simply animating the figures, I wanted their actions to affect the cabinet itself, allowing the painted world and the functional object to briefly interact before returning to its original state.

🌿 I explored and developed the concept in FLORA, creating multiple variations, testing timing, extending scenes, and building the final sequence through an iterative visual process.

🎙️ The project walkthrough voiceover was created with ElevenLabs, and the original music was generated with Suno.

🔗 Links

FLORA Project: https://app.flora.ai/join-project/02235c07-752f-4cf1-8c66-92b5a9c4e65f

The Met Artwork: https://www.metmuseum.org/art/collection/search/195456

X / Twitter: https://x.com/Naghdaliyevaart/status/2095484532959170971?s=20

#FLORAMuseum

👍 😂 It looks funny and very professional implementation

Hello! Sincerely wanting to be a part of a design community for a while now, and I found Contra. I work in-house on a design team in marketing. However, Here, I will be posting my creative passion projects! Connect with designers who share the same passion in making every project better than the last. Designing since 18, I am now 32, and in that period, learning Blender, Adobe, and now Claude has helped me enjoy my work even more than usual! This is a fictional refreshment brand, and the images you see are mostly Pinterest-driven lifestyle photoshoots passed through image generation software. The packaging was used to teach the model how to apply materials and design, the images were mainly pinterest inspos some slightly altered to fit the colors of the cans. You can check the full case study here https://www.lazarstanisic.com/projects/cochaa-blaast Looking forward to connecting!

Rendering the cans instead of dropping them into flat mockups buys you something people underrate: you can throw the same can into six lighting setups and find out which of those colourways still reads on a cold fridge shelf. Does the in-house marketing work feed these at all, or do you keep the two deliberately apart?