A self-initiated AI beauty editorial exploring color, texture and light as the new makeup. Three portraits move from veiled cobalt to dewy daylight to high-glitter close-up, each leaning into hyperreal skin and pigment that traditional photography rarely captures in one shoot. Built using a stack of, Weavy Ai and Higgsfield with Lummi for refinement, then color-graded for an editorial print feel. Created as a personal study for beauty brands and magazines exploring AI-generated campaign imagery.

So good!

My Submission for the morphic workflows.

THE COVER (as i designed it) Turn any product into a living magazine cover. One workflow. Three categories. Built on Morphic.

Editorial imagery used to mean a $15K shoot, a 3-week timeline, and a team of ten. Most brands never get it.

So I built THE COVER. a reusable Morphic workflow that treats any product as a magazine cover hero. Two inputs (your product + a brand reference). Three deliverables (editorial still → magazine cover → 4-second living cover video). Under 5 minutes per run. Very Practical.

To prove it actually works across categories, I ran the same workflow on three completely different products:

→ EDEN (Beauty): Kayali Eden Sweet Peach. Tropical floral fantasy. → VACANZA (Fashion): A yellow rattan bag. Italian summer editorial. → TERRA (Food): An olive oil carafe. Quiet Kinfolk-coded still life.

Same workflow. Three completely different aesthetic universes. That was the goal proving editorial luxury isn't reserved for fashion. Any product can be magazine-worthy if the workflow knows how to read the brand reference correctly.

The motion stage uses Kling O3 Pro for living-cover animation. Typography is composited cleanly so the masthead never warps mid-clip that's the trick.

Run THE COVER. yourself: The Cover Workflow Here

Built by Saks Visuals.

#morphicworkflows

this is really amazing