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Voice Over for "Vick"
"Vick" is a leading brand in the pharmaceutical industry in Latin America, and I have produced numerous voice-overs for their advertising campaigns. This recording is one of them.
The network for creativity
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My first challenge that I placed in top 3🎉
Thank you to #Contra and #CapCut for such a great opportunity and putting my submission in 3rd place!
I had a blast working on this fun project, CapCut Video Studio made it really easy to create and edit the video to get the feeling that I was aiming for.
Onto the next challenge🚀
Nice one
For the Flora Technique Challenge, I experimented with a single input image that produces two distinct outputs. The first is a character sheet design, featuring multiple angles and key visual traits to clearly define the character. The second is a 4K cinematic storytelling sequence, composed of 9 scenes arranged in a 3×3 grid.
The goal behind this approach was simple: to ensure that the cinematic storytelling remains visually consistent with the character sheet across every scene. Bridging that gap between design and narrative is something I find incredibly valuable as generative workflows continue to evolve.
For the entire image pipeline, I used Nano Banana 2, while prompt expansion was handled with Claude Sonnet 4.6 inside Flora AI.
Curious to hear your thoughts, how do you approach character consistency in AI-generated storytelling?
you can try it here 👉🏻 https://app.flora.ai/techniques/4k-character-sheets-and-cinematic-9-scenes
#FLORATechnique
This is solid, it feels both clean and engaging. If someone wanted to create something at this level, what would you say matters most in your process?
Hi, I’m Isan.
Back again, diving deeper into the world of generative AI challenges.
This time, I joined The Morphic Workflow Challenge by Morphic x Contra with a workflow I’ve been building and refining: “Character Sheet & Cinematic 3x3 Grid.”
The idea is simple, but powerful: turn any subject whether it’s a character, product, or object into a complete creative package. From a clean, labeled multi-angle reference sheet, to optional recoloring, all the way to a fully composed cinematic 3x3 storytelling grid in 4K.
What makes this workflow meaningful to me isn’t just the output, it’s the process.
Every step is intentional. Every generation is gated by user approval. Nothing moves forward unless it’s been seen, reviewed, and confirmed.
This approach solves a problem I kept running into: wasted credits, inconsistent visuals, and too much guesswork. So I designed a pipeline that keeps control in the hands of the user while still pushing for high-quality, cinematic results.
A few things I focused on:
- Maintaining visual consistency from reference sheet to final scenes
- Giving full creative control over style, ratio, and storytelling direction
- Ensuring no unnecessary generation happens without approval
- Making the final output ready-to-publish, including branding support
It’s flexible enough to work across different domains from character design and fashion to products and vehicles, while still keeping a strong cinematic identity when needed.
Still exploring, still iterating, and still learning.
Curious to hear how others are approaching structured workflows in generative AI, especially when balancing creativity with control.
#morphicworkflows
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