So with Seedance, as I've mentioned before-- lipsyncing is BEYOND exceptional. You can even sync in-generation edits TO music if you know how to prompt things right. I always start with character reference and build out the number from there. Here's a lovely claymation/Coraline inspired snippet from a creative project I've been noodling around on. NEVER settle for letting the model do your work for you. Bring it into Premiere, edit the HECK out of it and it pays dividends.
What do you think?