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I built it because I wanted to prove that directing an AI agent with real care, rounds of notes, and a clear vision — can create something cinematic and culturally rooted, not just generic AI output. The pueo is a guardian in Hawaiian culture, and Pō & Ao (night and day) is the heart of the story. It’s also what I love and the closest to share what I honestly see with my eyes in reality.
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Bloop, a Framer template for AI agent startups. I had a lot of fun animating it and creating its playful mascot.
This is fire! The playful mascot makes AI agents feel so approachable. Framer template for AI startups is such a hot niche right now - great execution!
Everyone is shipping AI agents right now. Almost no one is testing them — and that is the whole problem.
A demo agent and a production agent are different animals. The demo works because you walked it down the happy path. Production breaks on the paths you never imagined.
A real example from my own work: a support assistant correctly handed a conversation to a human when someone wrote "I want to talk to a person" in Spanish — but not in English, because one phrase was missing from a rule. Every automated test passed. It only surfaced when I ran real conversations through it.
That is the gap the "agents will replace everything" wave keeps skipping. The hard part was never making an agent act. It is making it:
• say "I don't know" instead of guessing,
• hand control back to a human at the right moment,
• and prove, with tests, that it still behaves when the input gets strange.
Autonomy is cheap. Trustworthy autonomy is the real engineering.
Before you let an AI agent near real users or real data — what is the first thing you check?
The Spanish vs English handoff bug is such a good example. Every test passes until a real user shows up.
AI isn't the designer. It's the tool.
You're the designer. The art director.
It can't design without your direction.
yes, we are like a boss to AI. its all upto us how we get done our work from subordinate.