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Sleek 🔥
Vaughn is more than just a name to me.
It was my grandpa’s last name. His brother Ed was the reason I fell in love with photography, which eventually led me to design.
Neither of them are here anymore, but a little piece of both of them lives on through vaughn.agency
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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📰 FRONT PAGE
A launch-day ad that puts your product on the front page.
Tuesday, October 14. Late City Edition.
A blood orange soda came back.
Shelves cleared in eleven minutes.
Officials urged the public to remain calm.
Friday morning, a phone outlived the news cycle.
Its charger was reported missing, presumed retired.
Saturday, 12:01 a.m.
Cold brew hit the shelves.
Nobody went home.
None of it happened.
All of it made the front page.
🗞️ Every launch wants to be news.
Most of them get a banner.
I couldn't find a single newspaper in SVGator's template gallery.
So I built one.
The Bellbird Times.
The Kestrel Herald.
The Nightjar Post.
Three papers.
One template.
Zero redraws.
Retype the headline, swap the photo and the logo.
Every word is live text. Every layer has a name.
The motion never changes.
So what's your headline?
The press never stops. ✨
🛠️ Built in SVGator with the MCP. 1,038 named layers, 8,440 keyframes.
the idea , the design , motion design
everything is peak-
New case study added!
Crahhy is a speciality coffee brand rooted in the relatable human psychology of coffee cravings.
The objective was to design a brand that is minimal on the outside yet delightfully chaotic on the inside, blending specialty coffee aesthetics with honest, humorous storytelling.
minimal outside chaotic inside is the right brief for coffee
Shapeshift is a looping product-carousel ad I designed as a reusable template for any brand with four products to show (flavours, colourways, a menu), made for Instagram and paid social. Every piece is a named layer: retype the text, drop your photos into the four product slots and recolour, and the motion stays the same. Swap in a different shape set (soft, Mughal or geometric) and the same timing takes on a new personality.
I built it with the SVGator MCP. I came up with the concept and art-directed the motion, colours and every rebrand, while an AI assistant made the layer edits through the MCP. Every version in the video (vivid, light, the Bunsmith burger rebrand and the Mughal shapes) comes from that same file.
