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This project showcases a "Zero Friction" approach to book marketing, where static characters come to life directly in the reader's browser. Using the "The Little Prince" as a case study, I developed a high-performance landing page that merges traditional editorial content with immersive 3D technology.
Key Technical Achievements:
Extreme Optimization: The 3D models were meticulously crafted in Blender and compressed using Draco to stay under 300KB, ensuring lightning-fast loading times on any mobile device.
Zero App Requirement: By implementing Google’s Model-Viewer, I eliminated the need for external apps, allowing users to launch the AR experience with a single click.
High-Fidelity Visuals: Used texture baking and low-poly modeling techniques to maintain a premium look while prioritizing web performance.
Secure Infrastructure: The entire experience is hosted on Netlify, featuring automated SSL management for a secure and reliable user journey.
The network for creativity
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I present Doodle Fonts, my entry for Config Makeathon.
Making a custom typeface can be very complex and time consuming. Nearly every designer who wants a weird little display font for one project ends up licensing something generic, begging a type designer for a favor, learning a new complex pipeline or quietly giving up. Custom type is gatekept — not by talent, but by tooling. The most personal element of a brand is the one most people aren't allowed to touch.
Doodle Fonts fixes that. It's a font foundry that fits inside a canvas. You draw each glyph — freehand pencil, shapes, a dot grid, whatever feels right — across a full 96-character set covering upper, lower, numbers and punctuation. The whole alphabet renders live as you go, every font is saved to a library with an "X / 96 drawn" progress count, and when you're done you export a real, working, installable OTF font file.
It's built with Figma Make so it runs where designers already live, with Supabase handling auth and storage so your fonts follow you across sessions.
Display and brand type doesn't need PhD-level kerning — it needs personality. Doodle Fonts collapses "learn pro software + lose a weekend" into "doodle for twenty minutes," turning type design from a specialist skill into something anyone on a team can do.
Links to Doodle Fonts:
Everyone keeps telling designers to "just make a custom font." Now they actually can.
Can't wait to see how many fonts get created!
Wow I love this! I've always wanted to moonlight as a type designer...@Carlos Fernandez what's your fav typeface?
Working on a new website for bem, would you like to see the brand identity behind it?
Yeah sure I will love to
I’m exploring two hero directions for a Ferrari-inspired fashion landing page concept and testing which visual direction feels stronger.
Direction 1 uses the classic Ferrari red as the main brand moment. It feels bold, energetic, and instantly recognizable, with a cleaner fashion editorial layout.
Direction 2 shifts the experience into a darker, more luxury-driven direction. The black background makes the red feel sharper and gives the page a more premium, high-fashion feel.
Both directions have a different impact:
Direction 1: bold, iconic, energetic
Direction 2: luxury, dramatic, fashion-forward
I’m leaning toward Direction 2 because it feels more elevated and editorial, but I’d love to hear which one feels stronger at first glance.
12 voted
48%
13 voted
52%
25 votes
Closed
its actually a tough choice to make ngl. But i have to go with direction 2 as the colors are much more influenced by the main image
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