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GRWM: Granny Edition
A spec ad for an imaginary fashion brand - Vintage Vogue.
A playful take on fashion and unapologetic granny energy!
Created with Seedance 2.5 in 1080p.
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A product can be powerful and still be difficult to understand.
For this concept, the product had a lot going on.
My job was to simplify it without making the product feel simple.
I focused on:
→ finding the core value
→ removing unnecessary information
→ creating a clear visual story
→ using motion to make the product instantly understandable
Here are 4 frames from the concept.
I make product, launch and feature videos for SaaS and AI companies — turning complex products into simple, exciting stories.
Really inspiring work! 🌈
When Jewelry Moves, Perception Moves Too.
For Lastrier, I am developing a creative content direction that goes beyond traditional product photography.
Stop motion and artificial intelligence become creative tools to explore movement, composition and storytelling while keeping the jewelry at the center of every visual.
The goal is not to use AI simply because we can.
It is about finding new ways to present the product, highlight its details and create a visual world that elevates the perception of the brand.
Because in luxury, showing the product is only part of the story.
The real work is creating desire around it.
Creative Direction · Stop Motion · AI Visuals · Luxury Content
www.dobbertstudio.com.br
Dobbert Studio
Great visual thinking—follow When Jewelry Moves, Perception Moves Too.
Excited to officially submit my entry for the Cantina Challenge — a psychological horror short titled Mira.
The spark for this project came from a simple, unsettling image that stuck in my head: what if the emotional weight you carry literally detached from you and stayed in the room? I wanted to translate that internal feeling of isolation into a visual reality without relying on heavy dialogue or classic horror tropes.
Project Title: Mira
Core Thesis: "Not looking back doesn't mean you're not still carrying it."
The Concept: Mira is a short psychological thriller pilot that explores the heavy, invisible weight of unresolved emotional trauma. Rather than relying on standard horror tropes, cheap dialogue, or jump-scares, the story relies entirely on grounded visual storytelling, non-verbal shadow choreography, and high-tension environmental audio.
The Protagonist: Mira
Trapped in a cycle of isolation and avoidance, attempting to project a calm exterior while her internal state deteriorates.
Key Visual Mechanics: A dynamic phone typing interaction where text messages act as a gateway to her internal state, leading up to a chilling moment where her shadow literally detaches from her body — anchored to the living room while she moves forward.
The Climax: A quiet, suffocating sequence where the ambient space collapses into total darkness, leaving her face-to-face with what she's been running from.
Why I Created This: I've always believed that every person carries immense quiet value, but when unaddressed trauma isolates us, we lose sight of our own worth. I wanted to build a character study that honors that internal struggle visually.
This is a blend of: Psychological Thriller + Surreal Character Study + Minimalist Environmental Horror.
Narrative engine: Emotional Isolation --> Unspoken Tension --> Visual Distortion --> Psychological Climax
Where I would take the series next:
Episode 1 is The Room. The engine is one locked apartment, one locked Mira, 10 visual metaphors for grief.
Episode 2 - the shadow that stayed behind now moves when she doesn't.
Creator Studio Feedback:
What worked well - precise low-key lighting, atmospheric sound design, micro-expressions.
Challenge — temporal asset consistency for the brown sofa, and precisely preserving her exact silhouette (hair, shoulder line) through the shadow's turn across frames.
Suggestion — location colour lock + shadow-direction/shape control for finer silhouette fidelity.
Confirmation: Created end-to-end in Cantina. Original work, one submission.
spooky! nice job