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The Wall of Shame is a wall of sculptures crafted entirely from trash. It is huge because of the endless amount of garbage humans leave behind to pollute the environment.
And to speed up the process, I developed a 'Flora technique' that instantly transforms any sculpture into a trash-art version.
https://www.metmuseum.org/art/collection/search/188954 https://www.metmuseum.org/art/collection/search/12019 https://www.metmuseum.org/art/collection/search/204758 https://www.metmuseum.org/art/collection/search/208816 https://www.metmuseum.org/art/collection/search/543882 https://www.metmuseum.org/art/collection/search/196439 https://www.metmuseum.org/art/collection/search/193613 https://www.metmuseum.org/art/collection/search/204812 https://www.metmuseum.org/art/collection/search/256403
Such an interesting direction.
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200 years ago, local artists painted the everyday people of the subcontinent: barbers, porters, chai wallas, knife sharpeners. Each one got a portrait, flat colours, a fancy border, total respect.
So I asked: what if those same painters time travelled to Lahore today?
I found their work in the Wellcome Collection’s public domain archive, trained a Recraft Style on it, and sent it to paint the new pesha of my city.
Same old painter, new Lahore. 😄
Love this. Giving chai wallas and porters that old portrait treatment again feels really respectful. The borders are beautiful.
TIME: The Art of Erosion. ⏳
Time doesn't just pass. It leaves a mark.
An exploration of conceptual typography where letters slowly dissolve into sand, transforming an abstract idea into a tangible visual experience.
The concept represents the fragility of time, the inevitability of change, and the beauty of things that never remain the same.
A study in typography, material, and meaning.
#ConceptualTypography #TypographyDesign #VisualMetaphor #GraphicDesign #CreativeDirection #ExperimentalTypography #DesignPortfolio #AIArt
Archive gems are the best! Love that you still love it after all this time - that's when you know it's timeless work. 👀