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El Barbero del Multiverso — Toma continua de IA de 30 s 🎬 "El Barbero del Multiverso" — Película de IA de toma única continua de 30 s
🌌 Descripción: Un hombre sentado en una silla de barbero flotante experimenta un viaje ininterrumpido de 360 grados a través de 6 dimensiones diferentes de tiempo y espacio, transformándose de una escena de detectives de cine negro de la década de 1940 en una nebulosa cósmica.
🎯 Indicación original: Crea una película de IA continua de 30 segundos de una sola toma con transiciones fluidas a través de múltiples dimensiones.
🛠️ Flujo de trabajo y herramientas:
Generación visual y sugerencias: Kling AI y Vidu AI (Imagen a vídeo)
Montaje de vídeo, transiciones fluidas y edición de audio: CapCut Video Studio
https://on.contra.com/8Pk87C
Loom: https://www.loom.com/share/bba412d0c43542c2ac47ffd03bca3940
Linkedin:
https://www.linkedin.com/posts/giuliano-chiambretto-2229b33b8_creator-contraseedancechallenge-capcutcpp-ugcPost-7494051846056148994-qQHI/?utm_source=share&utm_medium=member_desktop&rcm=ACoAAGXzfHoBlZbrc0cSQnSYMVOZ-k268_tke1g
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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A NORMAL AMOUNT OF SKY
My entry for the CapCut Seedance 2.5 Video Challenge.
I am interested in creating worlds that exist somewhere between magical realism, liminal spaces, dreams, and quiet unease. Places that initially feel soft or nostalgic, but gradually reveal that their architecture, scale, or internal logic cannot be trusted.
For this film, I imagined a girl beginning inside an empty school, a place shaped by repetition, observation, rules, and the pressure to become a recognizable version of yourself. She walks into a faded pastel-pink bathroom and discovers a luminous horse behind a full-length mirror.
The horse represents the possibility of escape, freedom, desire, and a life that cannot be completely explained. When she crosses the mirror, the camera crosses with her. She runs alongside the horse through a fluorescent landscape where rain, flowers, institutional ceilings, and an artificial sky coexist.
An astronaut eventually leads the horse away. I see the astronaut as a figure already accustomed to surviving unfamiliar worlds, while the girl is encountering one for the first time.
As the camera pulls backward, the apparently endless landscape is revealed to exist inside a crystal sphere held by another version of the same girl. She releases the sphere, breaking the boundary around the imagined world. The luminous horse survives in miniature among the fragments.
For me, the ending is about carrying a small piece of freedom back into reality. The escape may be fragile, altered, or impossible to preserve at its original scale, but it does not disappear.
WORKFLOW
I developed the film in CapCut Video Studio using Seedance 2.5. I began with visual references centered on luminous horses, cyan rain, retro astronauts, pastel magical-girl imagery, artificial landscapes, wet reflections, 35mm grain, analog halation, and uncanny institutional architecture.
I then created a timestamped 30-second prompt defining the character continuity, camera path, environmental transformations, sound design, and narrative progression. I generated multiple iterations and refined the mirror crossing, the girl’s visibility, the relationship between the horse and astronaut, the macro pullback from the sphere, and the final release of the miniature horse.
The final camera path moves continuously from the school corridor into the bathroom, through the full-length mirror, alongside the running girl and horse, outward through the crystal sphere, and down to the fragments on the bedroom floor.
Created with CapCut Video Studio and Seedance 2.5.
I created a high energy AI generated commercial concept for Double Seven, combining cinematic product shots, motorcycle action, dramatic lighting, and fast paced editing to create the feeling of speed, energy, and performance.
The goal was to explore how Seedance 2.5 can be used to create a complete branded advertising concept from AI generated visuals, then bring the individual scenes together into a polished commercial using CapCut.
I focused on making the final video feel like a real commercial rather than a collection of AI clips, with consistent branding, dynamic camera movement, product focused shots, and a strong visual ending.
looks good, great job
Wow..... I create a single 30-second, 16:9 cinematic transformation shot in 720p, using Seedance 2.5 setup for a room transformation video, designed for that satisfying before → process → after glow-up.
Amazing