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A 3D product visualization showcase for a modern personal care brand. Designed to highlight warm amber gel tones, a custom frosted glass container, and dynamic studio lighting built to drive e-commerce sales.
Key Technical Highlights:
1. Custom Shader Setup: Realistic liquid absorption and frosted glass transmission.
2. Studio Lighting: Clean, high-contrast highlights tailored for Shopify and Amazon product cards.
3. Commercial Composition: Balanced floating camera angles with depth of field for social media ad creatives.
Software: Blender (Cycles), Photoshop
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KARMAE: ASTER | Product, Packaging & 3D Development
Part two moves a little closer to the product itself.
ASTER was designed as the softer side of the KARMAE world, but that softness still needed structure. The material language became a big part of that balance, combining frosted glass, muted metallics and pale neutral tones to keep the product feeling tactile, refined and recognisable.
From there, the packaging and product details were developed to feel like part of the same system rather than separate applications. The aim was to keep every touchpoint visually quiet, but still specific enough to carry the identity on its own.
Everything shown here was designed and directed by me, including the product development, packaging, materials, compositions and final 3D renders built in Blender.
A closer look at the details behind ASTER.
This looks super polished.
Exploring two landing page directions for Serein - a skincare brand focused on calm, balanced, healthy-looking skin.
Portrait Layout - with the models as the main focal point and the copy placed alongside the image.
Wide Layout - a calmer, more editorial composition that introduces the brand’s skincare philosophy through a structured content block.
Which direction would you choose for Serein: Portrait Layout or Wide Layout?
Which one feels more memorable and trustworthy for a skincare brand?
86 voted
75%
29 voted
25%
115 votes
Closed
Wide layout feels so much closer to calm, balanced than portrait does, that editorial pacing does a lot of work. Was the client on board with losing the immediate face-first hook, or did you have to make the case for it?