"I performed pixel-perfect polygon segmentation on insect imagery for biological research. The go..."I performed pixel-perfect polygon segmentation on insect imagery for biological research. The go...
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
"I performed pixel-perfect polygon segmentation on insect imagery for biological research. The goal was to create a high-quality dataset for YOLO-based detection models. I used CVAT to ensure every anatomical detail was accurately delineated, maintaining a consistent and clean output for AI training."
Casemate: making malware analysis feel calm instead of scary
Cybersecurity websites usually look the same: black background, green code, a hooded guy. I wanted to try the opposite for Casemate, a concept for a malware analysis tool.
The idea is simple: the product keeps a suspicious file in a sealed chamber and watches what it does. So I put a bug frozen in amber in the middle of a canyon. It’s dangerous and under control at the same time, and you get it without reading a word.
Then I made sure the page still works for a security lead who wants facts. The stats sit right next to the headline: threats isolated, latency, endpoints covered.
The hardest part was keeping it warm without losing trust. I stayed with one terracotta colour, wide capitals and mono labels, so it reads like a serious tool and not a poster.
I’m taking on new projects for SaaS and tech teams. If you have a product that’s hard to explain in one glance, send me a message.
What do you think, would you trust a security product with a canyon on the homepage?
A wall I walked past turned into my latest experiment with photogrammetry.
I took a quick, rough video scan while out on a walk, mostly to see what I could get out of it. What impressed me was how little time it took to get something usable (some cleanup would be necessary for a production shot).
Still experimenting, but there’s something exciting about turning an everyday surface into a 3D asset without making a whole project out of it.