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I helped the client visualise their G+15 shopping centre concept through detailed 3D modelling, landscape design, surrounding context, and hyper-realistic architectural renderings.For the visualisation, I developed and refined:
. Realistic materials, textures, and colour
. Architectural and contextual buildings
. Landscape and site elements
. People, vehicles, and other architectural entourage
. Daytime and nighttime lighting
. Exterior lighting and atmospheric details
I created both daytime and nighttime renderings to show how the building’s materials,textures, lighting, and overall atmosphere change throughout the day, helping the client better understand and communicate the final design.
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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A new Services section taking shape for my Framer portfolio.
Design, development, motion, systems, and search — connected through one interactive visual system.
the blue glass shape looks great
An immersive 3D website concept for Insta360 Luna.
The camera model was created in Blender and brought into XrollY (Upcoming), where I created the scroll-driven 3D animations and interactive scene.
The finished experience was then embedded into Framer, allowing the 3D experience to become part of a modern website without building the entire site around a 3D engine.
Stack: Blender · XrollY · Framer
A demonstration of how XrollY can turn traditional scrolling into an interactive 3D storytelling experience.
Complete Case Study: Check it out
Very immersive work 😍
Took up this project a few weeks ago. The brief was simple, design an identity that doesn't need to scream luxury, but speaks for itself. A private collection of 17 residences.
The logomark draws inspiration from Spanish architectural heritage, specifically the Draped Arch, one of the most distinct and revered forms in Spanish design. Chosen not only for its visual elegance, but for what it symbolises: a sacred threshold. A portal marking the transition into something new. The creation of a home. A new standard of living.
The arch was then studied alongside the architecture of the residence itself, drawing from shared elements of form and proportion. Spanish architectural language meeting the building's own design, producing a mark that feels both rooted and original.
The result is an icon that does not need to announce itself. It simply speaks, quietly, confidently, and with purpose.
The full identity reveal is coming soon.
Deriving the arch from the actual building instead of a generic architectural reference is what makes this feel earned rather than decorative. The laser cut piece in the last shot is a great way to prove the mark works in three dimensions too.
