I left the marble exactly as time left it. Every crack, every worn edge, the missing limbs, all untouched, because the damage is the story. It's the proof he survived. The only things I gave back were the things that were taken: his head, and one arm raised to his chin, the way a man rests his face when he's deep in a question. But I didn't rebuild them in stone. I rebuilt them in glowing CRT scanlines, an old screen's flicker made into a face, so that the newest thing about him would still feel a little worn, a little haunted, like a signal that traveled a very long way to get here. Ancient stone below, living light above. What lasted, and what came back.