This short piece comes to life from the desire for collaboration. Tom Parry reached out with the idea of developing something together that would let us experiment, play, and discover - and I believe we managed exactly that.

I began by building the scene in Cinema 4D, then sent it to Krea, where it was blended with a database of abstract 3D renders. After several iterations, the image was upscaled in Topaz, refined in detail with Nano Banana, and finally passed through Kling 2.5 to breathe movement into it. The final touch of "editing" was done inside After Effects.

Tom brought the sound to life with his usual precision and sensibility, and the result feels effortlessly in tune with the piece.