The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
Professional Video Editor & AI Animator | Short & Long Videos, Reels, Shorts, AI Animations & Custom Video Editing
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
Who needs an invitation when you have a little imagination and a lot of fantasy?
That's how I got to the CapCut World LA event at the Audrey Irmas Pavilion. The trip was... intense! 🦄
This is my entry for the new Contra × CapCut challenge.
My workflow:
① I created the character sheet and the prop sheet for the mushroom, as well as the location sheets for a nature landscape and the Audrey Irmas Pavilion.
② I created still shots using my internal AI image generation tool.
③ I created trippy 2D/3D animated images to use as the opening frames of the videos.
④ I imported all the images into the CapCut Video Studio and used the CapCut AI to animate them.
⑤ I created the music in ElevenLabs/ElevenMusic.
⑥ I edited the videos using DaVinci Resolve.
AI video is not about pressing generate.
It’s about controlling the direction before anything moves.
This short beauty concept was built from:
• one veeeeeeeery detailed prompt
• 8 reference frames
• basic editing and polish in Photoshop and After Effects
The interesting part for me is not that AI can make a video.
It’s that you can start directing it with a clear visual system:
• same color language,
• same model mood,
• same product world,
• same campaign feeling across stills and motion.
That’s where AI gets useful for brands.
Not as a random generator, but as a way to prototype campaign ideas faster, test visual directions earlier and turn static concepts into motion without a full production setup.
Tools:
• Magnific (Nano Banana 2 + Seedance 2.0)
• Adobe (Photoshop + After Effect)
Full case study here: https://designmorphic.com/impossible-species
#AICreative #CreativeDirection #ProductMarketing
Greattt✨
NEXT STOP, L.A.! — Angry Di & Ponch
Getting to CapCut World LA is an adventure of its own! Di and Ponch build a homemade flying skateboard, but when their test flight goes wrong, they turn to an equally questionable backup plan: shipping themselves to “LA.” A destination mix-up takes them on an unexpected detour before they finally reach CapCut World.
My goal was to turn the challenge into a short animated comedy starring my original characters, with escalating mishaps and a playful twist on the meaning of “LA.”
Workflow:
• Developed the story and prepared custom keyframe images and character reference sheets with ChatGPT.
• Used these visual references alongside detailed scene-by-scene prompts in CapCut Video Studio with Seedance 2.5.
• Specified character actions, camera movements, expressions, dialogue, and environments to guide each scene and maintain visual continuity.
• Selected the generated takes and assembled the final 60-second vertical film in CapCut.
This is fun!