I created this cinematic 3D commercial for Finary, a modern wealth management and investment plat...

I created this cinematic 3D commercial for Finary, a modern wealth management and investment plat...I created this cinematic 3D commercial for Finary, a modern wealth management and investment plat...

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Rao Saad

• Sep 2

I created this cinematic 3D commercial for Finary, a modern wealth management and investment platform designed to help users track, analyze and manage their finances and investments in one place.

The project focuses on presenting Finary’s financial experience through a premium, cinematic visual style. I combined 3D animation, product focused visuals, dynamic camera movements, lighting, transitions and motion design to transform the app’s investment and portfolio experience into an engaging commercial.

The goal was to make a complex financial product feel modern, intuitive and visually compelling while maintaining the polished aesthetic expected from a premium FinTech brand.

3D Animation 3D Modeling Motion Design Adobe After Effects Adobe Premiere Pro Blender

Sebastian Wieser

pro

• Sep 5

POV: Your project needed a cool and unique slider for their benefits.

Besides the smooth scrolling experience we've also used abstract animated graphics to compliment each benefit.

Figma Web Design Motion Design UI Design Jitter

Nirooz Vp

• Sep 5

It's so smooth, i love the animation between the cards , great work brother

Sebastian Wieser

pro

• Sep 5

some fun motion design in figma

Motion Design Figma Web Design UI Design

Joyjit Sett

pro

• Sep 8

How do you made it in Figma? Do you have any tutorial to share?

Se3d Studio

• Sep 5

VIETNAM, Y3K — FLORA Museum Challenge

For the FLORA Museum Challenge, I chose the Incense Burner with Dragon Spout, a Vietnamese artifact from the 1st–3rd century in The Met’s collection ( https://www.metmuseum.org/art/collection/search/53862 ), and reimagined it through a Y3K lens.

I wanted to connect an ancient object with a familiar image of Vietnam today: a woman riding a scooter. The dragon-shaped incense burner became a futuristic chrome vehicle, while traditional Vietnamese clothing and the conical hat were transformed into synthetic future wear.

I built the entire visual world in FLORA, from the clothing and accessories to the dragon scooter, environments, stills, and final video. Using AI as a world building tool, the project imagines how Vietnamese visual culture might evolve into another timeline while still carrying traces of its past.