Onitsuka Tiger - Mexico 66: Iconic Since Step One" Fan ad for #morphicchallenge. Why: Onitsuka re...

Onitsuka Tiger - Mexico 66: Iconic Since Step One" Fan ad for #morphicchallenge. Why: Onitsuka re...Onitsuka Tiger - Mexico 66: Iconic Since Step One" Fan ad for #morphicchallenge. Why: Onitsuka re...

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Ruals Syarif

• Feb 8

Onitsuka Tiger - Mexico 66: Iconic Since Step One" Fan ad for #morphicchallenge.

Why: Onitsuka represents the perfect blend of heritage & modernity. Concept: A single stride traveling through time. We used match-cuts to morph the shoe & era from 1968 Olympic clay to 2026 Tokyo. Tools: Visuals/Audio generated in Morphic.

*Speculative fan project. Not official.

Morphic morphicchallenge madewithmorphic generativeai AI Art Prompt Engineering Adobe After Effects

rasid Arari

• Feb 8

Thats was dope

Ruals Syarif

• Feb 9

thanks man 👍

Andrei C

• Feb 9

so good!

Ruals Syarif

• Feb 9

thanks man! much appreciated

Anupam Sidhant

• Feb 10

I think it has the perfect mix of sound, music, visuals, iconography, and the creative choices in the ad - loved it.

Ruals Syarif

• Feb 10

thanks man! much appreciate

Ciro

• Feb 10

Perfect ad! 🙌

Greg Aquino

• Mar 13

Here's my submission for Kittl's Contra Challenge. Built a Rolex Daytona ad, that Rolex didn't ask for. Took the Daytona apart piece by piece and brought it all back together. I wanted it to feel like a real luxury ad that lets you sit with every detail up close. The whole thing was designed and animated in Kittl. Kittl Project Link Tools used: Kittl: Image and video generation. Capcut: Video stitching, and sound design.

kittlchallenge Art Direction Motion Design Creative Design CapCut Kittl

Muhammad Asjad

• Mar 17

Amazing work

Matheus Alencar F.

• Mar 13

Cash App brand motion exploration 💵

Motion Design UI Design Adobe After Effects Figma

Monic ✧

pro

• Mar 15

looks great!

Laura Rautjoki

pro

• Mar 13

This was a case study I developed for my students during my AI image course at Helsinki Summer University. Together we explored how an editorial visual language can continue consistently from image to image and further into moving image within AI-based visual production. The focus was not the technology itself, but authorship — how AI can be used consciously as part of a creative process. For me, AI is not about generating images, but about how visual worlds are directed, shaped and continued by the maker. Alongside my artistic work, I now offer trainings as well as commissioned visual and animation projects for clients working with AI in their visual production. Eden Laura Rautjoki & AI, 2026.