1286 CRAFT — Premium Fintech Brand Identity & Debit Card Design

A luxury fintech branding and graphic design concept created by 1286 CRAFT, showcasing a sophisticated visual identity for the future of digital banking.

This creative project explores premium debit card design, geometric logo development, brand identity systems, packaging, and high-end advertising visuals.

The visual direction combines emerald green, obsidian black, platinum silver, and pearl white with refined typography, metallic finishes, architectural compositions, and cinematic product presentation.

Project Highlights:

Premium fintech brand identity and logo design

Luxury debit card design and product visualization

Color palette, typography, and geometric brand patterns

Premium card packaging and presentation

Creative advertising and visual storytelling

Designed to demonstrate expertise in Brand Identity Design, Graphic Design, Fintech Branding, Creative Direction, and Visual Communication.

1286 CRAFT | Creative Design Studio

Explore this original conceptual branding case study on my Contra portfolio, showcasing creative solutions for modern brands and digital experiences.

That's really luxury Fintech brand identity that's really unbelievable great job Sana🎉🎉🎉🔥🔥🔥🔥

Hourfield is a 16-second 16:9 launch film for products that organise people's time: calendars, schedulers, booking and reservation apps, planners. Retype a few short lines, drop in your logo and rename the calendar's days and tiles (meetings, table bookings, classes, shifts): the week re-plans itself on screen and the film lands on your logo lockup. Our second version, Maréva, a fictional table-booking app, turns the working week into an evening of reservations on the same animation and timing.

Built end-to-end through the SVGator MCP server. The calendar that re-plans its own week, the orbit that swirls into a single dot and the lines centred by their real letter shapes (fonts measured, not eyeballed) were computed in Python and written straight into a live SVGator project as 780 editable keyframes; I directed every note and finished it in the canvas. Maréva was made the same way, on the same timeline. Everything stays a real layer: 50 live text layers, named elements (headline, logo, product-name, tagline) and one logo image animated in two moments.

Yes, there is a lot to edit: every line of the story, a whole week of calendar tiles, a palette in nine roles. A full rebrand takes longer than five minutes, and that is the honest trade: it shows how much a single SVGator file can carry, and how MCP makes a detailed, story-driven film practical to re-make, not just to watch.

Links: ▶ Template (SVGator) ▶ Demo video, A → B

Love the smooth flow and the text animation! Good luck!