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A design of a band in the us. I also work on logos and I video edit too
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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Developed a high-end promo visual presentation for a luxury lipstick collection. The main objective was to showcase product shades and texture while pairing them with compelling, emotion-driven product descriptions designed to drive engagement and visual appeal.
Scope of Work & Strategy
Persuasive Copywriting: Authored elegant, benefit-focused messaging highlighting formula quality, skin versatility, and confidence.
Visual Styling & Art Direction: Curated a sophisticated color story using deep burgundy and soft rose silk textures to communicate luxury.
Content Presentation: Structured high-impact visual slides featuring real-life shade swatches and textured product shots.
𝗜 𝗿𝗲𝗯𝗿𝗮𝗻𝗱𝗲𝗱 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗯𝗼𝗿𝗶𝗻𝗴 𝗼𝗯𝗷𝗲𝗰𝘁 𝗶𝗻 𝗺𝘆 𝗵𝗼𝘂𝘀𝗲.
𝗔 𝗯𝗿𝗼𝗼𝗺.
Just an old broom standing in the corner, doing a job nobody ever stops to notice.
I gave it a face.
Then three moods to go with it.
Fierce while it's working the corners.
Alert, like it's watching for dust before dust even shows up.
Calm once the room's done.
Same bristles. Same handle. Same job it's done for years. Nothing about the broom changed.
What changed is how it makes you feel looking at it.
𝗕𝗿𝗮𝗻𝗱𝗶𝗻𝗴 𝗶𝘀𝗻'𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗽𝗿𝗼𝗱𝘂𝗰𝘁𝘀 𝗽𝗲𝗼𝗽𝗹𝗲 𝗮𝗹𝗿𝗲𝗮𝗱𝘆 𝗹𝗼𝘃𝗲. 𝗜𝘁'𝘀 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗼𝗻𝗲𝘀 𝗻𝗼𝗯𝗼𝗱𝘆'𝘀 𝗹𝗼𝗼𝗸𝗶𝗻𝗴 𝗮𝘁.
If a broom can carry personality, your product can too.
The category was never the limit. The attention was.
Founders, marketers, drop your product category in the comments.
I'll reply to every single one with a free idea to make it more engaging.
#Branding #GraphicDesign #BrandIdentity #Rebranding #PersonalBranding
The Vision of Saint John
ca. 1608–14
Inspired by El Greco’s The Vision of Saint John (ca. 1608–14), a surviving fragment of a larger altarpiece, this project imagines the lost upper portion of the painting not as something recoverable, but as something that continued to exist beyond the frame. Rather than reconstructing what history removed, I explored what it would mean for the painting’s ecstatic upward motion to break free of its physical limits. The result is a visual continuation in which the missing half returns as an overwhelming vertical force, transforming the gallery into an extension of El Greco’s apocalyptic vision.
https://www.metmuseum.org/art/collection/search/436576
Imagining the missing fragment as something that continued to exist, rather than something to reconstruct, is a brilliant premise. It respects the mystery while expanding it.