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Some times it's important to have a break.
I have been upskilling myself from a very long time instead of writing same type of scripts for clients.
Here are few scripts I wrote after upskilling.
Tanay Kothari Naomi Osaka
If you are an creator or Agency member/owner looking for a scriptwriter, I am now open to work.
docs.google.com
Tanay Kothari 1
Riya Prajapati (Scriptwriter) Tanay Kothari (clips “tanay kothari”) This is one of the most talked-about founders in AI right now. His company just hit a two-billion-dollar valuation in nine months. Meet tanay kothari. At 10 years old, he watched Ironman. Not for the suit but…
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Back in 2016 I made a lot of cinemagraphs for HBO.
They took a surprising amount of work. Masking footage, finding the right loop, freezing parts of the frame and getting everything to transition cleanly.
I’ve had an idea for a simpler cinemagraph tool kicking around in my head ever since.
About a month ago I built another small tool using Toolcraft as the starting point, so yesterday I wanted to see if it could handle this idea too.
A few hours later I had a working cinemagraph editor.
Drop in a video → find your loop → choose how it loops → paint the areas you want to keep still → export.
Basically the workflow I used 10 years ago, condensed into a few controls.
Still rough around the edges, but kind of wild to finally build a tool I’ve been thinking about for a decade.
The masking-and-looping history is exactly why a simpler cinemagraph workflow feels valuable; the tricky part is preserving a seamless transition without making the tool feel like a timeline editor. Curious direction for an AI-assisted app.
More Progress on the SILO web experience, now the generator power cut works and controls the real time lighting on the whole SILO
The power-cut interaction is a great way to make the lighting system feel tangible—the transition from the dark industrial baseline to the warm windows reads instantly. Nice restraint in the monochrome palette too; it lets the real-time light do the storytelling.
As an AI Voice Developer, I focus on the full call loop: lead input, voice interaction, transcript, recording, and the next operational action. Dispatchly was built for outbound campaigns such as loan qualification, policy follow-ups, and candidate screening, with qualified leads routed into a CRM. I work with real integrations, explicit approval points, and read-back so the system is accountable after the call. If you are building a voice workflow, message me.
