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Built this 3D Circular Interactive Carousel prototype with Gemini 3.5 Flash.
Smooth animations, responsive interactions, clean 3D depth, and a polished overall experience. Really happy with how this prototype turned out — AI-assisted development can produce some seriously cool results. 🚀
Look: https://3-d-circular-carousel.vercel.app
The network for creativity
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A Rube Goldberg chain only works if you believe the physics, and most of that belief lives in the #audio. Every spring release, pivot, scissor snap and salt scatter had to land on the exact frame the #cgi did.
Thanks to Sam at @itsplaydate for bringing us in on this one.
#c4d #3danimation #rubegoldberg
The salt scatter landing exactly on frame is the detail that gets me, that's the kind of timing that takes way more takes than the final 16 seconds let on. How many passes did the chain need before physics and sound actually lined up?
A sound and music exploration we wrote for BUCK's Tiffany & Co. holiday film. Our version wasn't the one that ran, but we still think about it.
Orchestral and cinematic, built around celesta carrying the melody with a string ostinato driving the rhythm underneath the first half. The celesta was the whole idea: it sits right between a music box and a bell, which felt correct for a film about a gift arriving out of nowhere.
Film by BUCK.
The sfx sounds great
It all begins with a cube.
When working in 3D, we use the cube to sketch ideas, test animations, and build scenes, often long before the final piece comes together.
This time, instead of replacing the cube, I decided to make it the star of the show.
This project is a fun tribute to the hardest-working shape in 3D.
Let’s give the cube the recognition it deserves.
Amazing work!