Dark, cinematic, and hungry. A Madrid sushi site where the food does the selling.Dark, cinematic, and hungry. A Madrid sushi site where the food does the selling.
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Just shipped the BALEEN site — a marine salvage brand's home isn't a brochure, it's a registry.
A draggable archive of hyperrealistic specimen stamps as the hero. A live ledger of recovered objects. A vessel section with working depth and call sign.
Every object catalogued, never sold as treasure. 🐋⚓️
100% brochure, from layout, typography, sections, color palete and the description 100% AI generated. I use AI as well, but it seems like you did not put any human output anywhere.
I designed and developed this interactive cyberpunk street food experience for Gǒng Sì Night Market.
Capturing the grit and rain-slicked atmosphere of a near-future Kowloon market meant balancing speculative world-building with tactile interaction design. Combining animated neon typography and canvas puddle reflections with an interactive stall menu, a retro terminal ordering flow, and a simulated thermal receipt printer gave the entire digital commissary an authentic, lived-in weight.😊 🔥
Light or refined - which E-Bike product breakdown section design would you choose?
Two concepts for the same AUREX e-bike. Same product, same components, two different presentation styles:
A - Soft Studio: subtle gray depth, larger product focus, and a more premium visual feel.
B - Clean Minimal: bright white background, tighter spacing, and a more technical editorial layout.
Which direction feels stronger for a premium e-bike brand and why?
A feels more premium to me. The soft gray depth and bigger product focus make the bike feel like something special. B is great for specs, but A sells the feeling