References: Emily Noyes Vanderpoel's Color Analysis from Arabian Illumination (Plate LXVII) from Color Problems (1902), Wassily Kandinsky's Painting with Green Center (1913) at the Art Institute of Chicago, and Theo van Doesburg's Contra Composition (1927–28). From Vanderpoel I took the strict grid of small colour squares and its red, blue, olive and cream palette; from Kandinsky, the expressive curves and layered colour; from van Doesburg, the flat planes and heavy black lines. The result is an imaginary metro network whose stations are named after things we do today, from Tap In and Matcha Line to Run Club and Padel Park, introduced by a street entrance, a network map and the next train arriving, with some murals animated.