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What if today's apps were advertised in 1896? 📜📱
"The Electric Parlour Co." is a fictional ad campaign in the style of Edward Penfield's 1890s posters: food delivery by scooter, video calls in the parlour, wireless earbuds, robot vacuums and a selfie under Mount Ararat 🇦🇲
Made with my custom Recraft style. Which one is your favorite?
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MIMESIS
What happens when fashion becomes part of a painting?
Inspired by 17th-century Dutch paintings from the Getty collection, I created a custom style in Recraft to explore the relationship between fashion, art, and visual perception.
From patterned floors to velvet curtains and spotted horses, each look blends into its surroundings, blurring the line between clothing and the world around it.
Created for the Contra × Recraft Archive Style Challenge.
The Natural History of Digital Habits
I found a hand-coloured illustration from Edward Donovan’s The Natural History of British Insects, Volume VIII (1799), in the Internet Archive Book Images collection on Flickr. I used this archival reference to create my custom Recraft style, Digital Natural History — 1799. My six-image series imagines small creatures using smartphones, wireless earbuds, food delivery, video calls, electric scooters, and robot vacuums. Antique botanical compositions turn modern digital habits into specimens from an impossible natural-history archive.
Hello, World. This video is kind of personal. I stopped making videos ten years ago. I was doing countless corporate gigs, and the whole thing started to feel tedious and soulless. I always wanted to tell stories; that's why I studied filmmaking. Discovering generative AI felt like making my first short film, and playing with it since then has opened up a world of possibilities.
So the story references different stages. The macaw is the public that's apprehensive about AI and doesn't want anything to change. The raccoon is that moment of discovery. The sacred chamber of gods is what I feel right now: both awe and fear of what AI can do, or could become. And being propelled to LA, crash-landing in the mecca of filmmaking, is the cherry on top.
Why a mango tree? We have a macaw at home, and she is so protective of her mango tree. I don't think AI could ever evoke how crazy and loud she screams when an unknown person or animal gets close to it.
Made with CapCut!
#CapCutWorld #CapCutWorldLA #1000WaysToCCW
Making each animal stand for a stage of how you feel about AI is what turns a challenge entry into a short film. The audience follows feelings, not tools. The macaw is the strongest choice because it's real: a sound and a habit you know from home that no prompt would invent. In...