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BAYANG reimagines The Met’s Kris and Sheath, created in Java or Sumatra during the Banten Sultanate in the 16th century, as an interactive optical installation.
The original object remains motionless on a dark museum plinth. Above it, a visitor moves and rotates a transparent acrylic card etched with blade-like ornament through a single beam of light. On the textile screen behind it, the kris’s shadow becomes an active archive: pamor lines, intricate carving, terraced forms, and vegetal rhythms gradually emerge and transform inside the silhouette.
The work draws on the visual grammar of Indonesian shadow performance, the lamp, screen, hand, and transformed shadow, without reproducing a specific wayang character. Instead, the shadow serves as an interpretive layer, revealing a world suggested by the kris rather than illustrating its history literally.
I developed the installation through six iterations on the FLORA canvas. The sequence begins with the object waiting before an empty screen, followed by the acrylic card entering the light, the pamor awakening in shadow, the projected geometry shifting, and finally an imagined landscape appearing within the blade. The concluding video uses Seedance 2.0 Reference to demonstrate the physical interaction while preserving the card, kris, lighting, and installation design.
The result explores how a museum object can remain physically unchanged while light, movement, and shadow allow its material memory to take on a new form.
Original artwork from The Met:
https://www.metmuseum.org/art/collection/search/24313
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Curcuma zanthorrhiza and the Search for Authenticity
Temulawak’s elegant packaging concept marks my first time that botanical science and cultural heritage come together in its creation. The initial approach was simple: observing the morphological characteristics of Curcuma zanthorrhiza and applying binomial nomenclature—where the Latin name is italicized with the genus capitalized and the rest in lowercase. In the publishing world, a similar writing convention is known as sentence case, but for scientific names, both words remain italicized.
The second approach led me to revisit prior knowledge of Javanese script only to realize my initial understanding was flawed. Not to translate the entire draft from English, but simply to ensure the correct rendering of 'Temulawak.' The first online script translator failed, producing an overly long translation for a five-character base. The second attempt was no better, as it inserted a Latin character for 'e' in 'Temu.' Finally, the third translation tool yielded a more accurate result, rendering the script as ꦠꦼꦩꦸꦭꦮꦏ꧀ for 'Temulawak.'
Beyond Javanese script, I sought to incorporate another cultural element into this packaging: Batik. A true heritage of Nusantara, Batik is the perfect fusion of art and cutting-edge technology from its time. While this is neither hand-drawn nor stamped Batik, its motif is seamlessly embedded into the design to emphasize the cultural essence. For the context behind the choice of Javanese script and Batik, you might find a deeper story waiting on the back of the packaging.
One last note: this packaging was developed as a conceptual submission and was not the design ultimately selected for production. Even so, the research behind Curcuma zanthorrhiza, Javanese script, and Batik made it one of the most memorable projects in my portfolio. Certain decorative elements, including botanical illustrations and cultural motifs, were sourced from licensed marketplace assets for concept presentation purposes.
setting the latin name in proper italics on the pack is a really nice nod
Exploring new visual textures with the new Kling 4.0
Woow Lynn I see some of your work and that's great 🔥🔥
Nice job Lynn❤️
Title: The Runaway Paintbrush 🎨 | CapCut World LA Challenge
Description:
What if a runaway paintbrush could take you on the most unexpected journey? 🎨✨
For my second entry in the CapCut World LA challenge, I created an imaginative AI video featuring a magical paintbrush, a colorful fantasy adventure, and an unexpected arrival at CapCut World LA.
Created using AI visuals, creative storytelling, character dialogue, and cinematic transitions in CapCut.
#CapCutWorld #CapCutWorldLA
Thanks for joining the CapCut World LA Challenge! 🌟 Just flagging: the submission requirements ask for your social post link along with the final video and project link. This helps us verify and feature your post — could you add it to your submission or share it in the comments below? Appreciate it!