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New work ⟡ IED Fashion Final Project — BTS film
I was hired by IED fashion students to create a behind-the-scenes film for their final project ˚✧
I filmed on set capturing the real process—styling, makeup, direction, model moments, and all the tiny details that make a shoot feel alive ☾
In post, I edited it into a cohesive, cinematic BTS piece ♡ clean pacing, fashion-forward rhythm, and a polished finish—so the final video works as a strong portfolio asset for the whole team ✶
My role: BTS Filmmaker + Video Editor ✂︎
(on-set filming · story cut · pacing · color polish · audio balance)
#behindthescenes #makingof #fashionfilm #BTS #videographer #videoeditor #filmmaking #IED #fashionstudents #postproduction #cinematicediting #madrid
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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What if sparkling water felt this refreshing on screen?
Created this spec ad for San Pellegrino — focusing on light, movement, and that crisp, refreshing feel.
A simple concept built around mood and detail, letting the product speak for itself.
Spec ad / Concept commercial
Not affiliated with the brand
What do you think — does it capture the vibe?
#specad #conceptcommercial #beveragead #videography #productvideo
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A lot of AI fashion content ends up looking similar — and I think casting is one of the reasons.
In real production, a casting director doesn't pick beautiful people. They pick the right body for the right story. The wrong face can work against the collection's message without anyone realizing why.
I built a technique "Casting director for fashion projects" inside FLORA that brings this thinking into AI workflows.
Brief or moodboard in → visual tension analysis → 3 casting profiles with rationale → casting polaroids + professional casting brief out.
Test run: a couture collection called "After the Ceremony." Crushed silk, dragging hems, exposed construction. The morning after something went wrong.
Three directions came back:
→ "The One Who Stayed" — mid-thirties, soft features, olive skin, heavy hair. A body that yields to the garment. The emotional reading.
→ "The Examiner" — late twenties, graphic cheekbones, cool skin, hair pulled tight. A face of planes. The forensic reading — where exposed seams become evidence.
→ "The Threshold" — ageless, sharp on one side, soft on the other. The bridge. Cast for the final look: one side finished, one side exposed.
Intentional casting based on visual logic — not leaving it to chance.
Want to try it on your project? Follow the link to test
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