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Taste Test
A feels beautiful. B feels built.
I’ve been thinking about the shift from soft editorial branding into sharper, more systematic identity work, especially for product-led companies.
Both can be tasteful. But one feels more ready for where modern brands are heading.
Where does your taste land?
3 voted
38%
5 voted
62%
8 votes
Closed
This A stands out not just because of how it looks, but because of the value it communicates. It feels like you had a clear audience in mind while creating it. How did you define your target audience before starting, and did that influence your final outcome?
Great Designs
Nice!
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Related posts
A sneak peak of something @Measured Branding and I have been working on
These are really eye catching. I love the fact that the colour choice makes everything pop. Nice one
A multi-property real estate operator came to me last month asking for a logo refresh. We never touched the logo.
The logo wasn't the problem. The problem was that every property had its own headline style, its own button shape, and three different fonts in three different listing decks. Investors couldn't tell which properties belonged to the same operator.
That's not a creative problem. That's a governance problem.
We wrote a one-page system. Five rules. What the headline does. How the button looks. Which font, full stop. Where the operator's name sits on the brochure. What the photo treatment is.
Six weeks later they closed on their eighth property. The acquisition memo was the first one a private investor said "looked like a real platform" instead of a portfolio of one-off deals.
The logo is still the same logo it was eighteen months ago.
Most brand work that gets billed as identity is actually governance work in a trench coat. The companies that read as one company across every surface aren't the ones with the best logo. They're the ones where every surface obeys five rules.
If you've got more than three surfaces and can't name those rules in one breath, the problem isn't your logo.
excellent
Just launched a recent brand identity project that I successfully completed for CTRL+SHIFT.
Ctrl+Shift is a brand identity project crafted for a forward-thinking platform operating at the intersection of creative technology, culture, and media. Through events, talks, content, and community, the brand brings together artists, builders, and technologists to explore creative intelligence, generative storytelling, and coding as cultural expression.
Editorial and confident, the identity is unapologetically creative-first—slightly irreverent, opinionated, and culture-forward. Designed to feel like a living platform rather than a campaign, the visual language leverages glyph dithering, color halftones, 3D ASCII graphics, and surreal soft sci-fi imagery. Anchored by a pitch-black foundation with vibrant color tints as accents, the system creates a bold yet sophisticated presence for a community built around curiosity, craft, and future-facing creativity.
You can see full project presentation here.
Feel free to like, comment and follow, kindly appreciated.
This identity for CTRL+SHIFT is a masterclass in high-end positioning. Using 3D ASCII and glyph dithering creates that "editorial and confident" feel that moves far beyond basic decoration.
It’s a perfect example of using strategic clarity to build a living platform rather than...
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