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Thank you Contra! Submitted my MS Collection 2026 - Designed by Mirza Shehriyar - Sarai Alamgir - 6 entries - Good luck everyone! #recraftstyleschallenge
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Hey everyone! 👋 Quick update on the #1000WaysToCCW challenge.
We've been checking your submissions and noticed a lot of you missed a step when posting — like not adding #CapCutWorld #CapCutWorldLA, not tagging @capcutapp / @CapCut, or not linking your social post in your Contra submission.
👉 To make sure you get your credits and stay eligible for the $7,500 prize pool, please fill out this quick form (takes 1 min):
Just need your Contra post link + social media post link + CapCut UID.
🎬About your 8,000 credits:
After you submit the form, credits arrive in 1–3 business days
If you don't see them after 3 business days, it's usually one of these:
• wrong UID entered
• form didn't submit properly
• account / system issue
Just refill the form with the correct info and we'll follow up!
Thanks again for all the amazing work ✈️
Hi Suzy! I'm preparing my submission for the CapCut World LA Challenge, but I'm having trouble with the CapCut project link.
I created the video using Seedance 2.5 in CapCut Desktop, then added it to a CapCut Web project. I enabled "Anyone with the link," but the link works only...
Kalighat 2026: The Machines Are the New Babus
Kalighat paintings were cheap bazaar watercolours sold in 1880s Calcutta, and they were satire: they mocked the city's new rich, dandies who aped their British masters and lounged while servants fanned them.
I trained a Recraft V4 Style on five anonymous Kalighat sheets from the Cleveland Museum of Art and Wellcome Collection, keeping the bold single outline, flat colour and empty paper ground.
Then I turned the satire on 2026: the machines are the new babus. Phones smoke hookahs on velvet chairs, robot vacuums ride in palanquins, and humans fan, carry and groom their devices. Same masters, new hardware.
Social post: https://lnkd.in/p/gXJn_FQQ
[ 🕰️ Relics Of Time ] - bringing the past into the present
before wristwatches became a part of everyday life, pocket watches were one of the most popular ways people carried time with them. but what always fascinated me was that they were more than just timekeeping objects. their beautifully crafted cases, intricate engravings, ornamental patterns and little details made each piece feel like a work of art.
i've always been drawn to objects that carry a sense of history and craftsmanship, so i wanted to explore what would happen if those details found their way into the watches we wear today.
for this project, i explored historical references from the met museum collection, including antique jewellery, pocket watches and decorative objects. i was particularly inspired by their rich textures, colourful patterns, gold detailing and handcrafted elements. instead of simply recreating historical pocket watches, i wanted to take the essence of their design and reinterpret it through contemporary wristwatches.
using these references, i created a custom style in recraft and experimented with bringing antique textures, engraved surfaces, ornamental patterns and vintage colour palettes into modern watch cases, dials and straps.
the collection explores different interpretations of this idea, from rectangular dials with colourful beaded straps to ornate gold cases, detailed engravings, roman numerals and decorative metalwork. each design has its own character, but they all share the same inspiration: the beauty of old-world craftsmanship.
the thought behind this project was simple: what if the artistry of antique pocket watches had evolved alongside modern watchmaking? i wanted to create something that feels nostalgic yet contemporary, as if a little piece of history had found its way into the present.
references: the metropolitan museum of art
#recraftstyleschallenge #recraftai #productdesign #vintageinspired #designexploration #horology #18thcenturydesign
