How to choose a sound designer for your first feature film

If this is your first feature, here’s something worth keeping in mind when browsing profiles on Contra:

Don’t only look at tools, software lists, or long credit sections.

Instead, look for someone who: • asks for a locked or near-locked cut • talks about story, pacing, and intent — not just deliverables • defines scope clearly before pricing • doesn’t promise “everything” without seeing the film

A good sound designer isn’t trying to impress you with jargon. They’re trying to understand your film well enough to not over-design it.

For a first feature, that restraint matters more than flashy reels.

The right collaborator will help your film feel complete — without making sound the loudest thing in the room.