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Behind the Portal: How I built FLEXWEAR
From a Pharaonic tomb in Egypt to the Hollywood hills in LA - this is not just a hoodie, this is identity.
I built the whole 30s cinematic story in CapCut AI - temple reconstruction, portal VFX, color grading.
The Ankh is the key of life. FLEXWEAR is the key to the future.
What do you think? Would you wear history?
#capcutworldlachallenge #FLEXWEAR #FromPharaohsToLA #WelcomeToLA
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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📢 Quick Update on Free Credits & Challenge Guidelines!
Hi creators!
We have already processed the first batch of credit top-ups! For those who haven't received yours yet, our approval and top-up team was off over the weekend. As the new business week starts, your 8,000 credits will be processed and rolling out shortly!
In the meantime, feel free to start brainstorming and planning your video ideas! We can’t wait to see what you create.
⚠️ Important Reminder: Please make sure to carefully review the submission requirements on this page before posting! Don't forget to:
Post on IG, X, TikTok, or LinkedIn with #CapCutWorld #CapCutWorldLA and tag @capcutapp (on IG) or @CapCut (on TikTok/X/YT).
Submit your final 15–60s video, CapCut project link, prompt/workflow breakdown, and social post link on Contra to qualify for the $10K prize pool!
Happy creating! 🎬
Hi @Suzy Jin @Marlenn Alba @Kayla Li @Marouane Zouzhi @ — I submitted the 8,000 credits form on Oct 16, 2026 (email: helloabhishekjha@gmail.com). Credits aren’t showing yet in CapCut Video Studio after the UI update. Can you confirm my claim is queued? Thanks.
Hi Abhishek, according to our records, your submission was actually completed today (it looks like the initial attempt on Oct 16 didn't go through successfully). We have now queued your request to process the credits—please bear with us for a little while as they make their way to your account!
Stepping Through Art History to CapCut World LA 🎨✨ → 📍Audrey Irmas Pavilion
For the "Unexpected Arrival" theme, I wanted to blur the boundary between classic human artistry and next-gen AI filmmaking. Instead of a standard commute to Los Angeles, the journey pulls me directly through living, breathing masterpieces—from the swirling skies of Van Gogh’s The Starry Night and the crashing barrels of Hokusai’s The Great Wave, all the way to the iconic trapezoidal facade and barrel-vaulted ceiling of the Audrey Irmas Pavilion for CapCut World LA.
How I built it:
AI Generation & Continuity: Built as a connected 9-scene sequence using Seedance 2.5 inside CapCut, maintaining character consistency and fluid motion across completely distinct artistic styles and eras.
Editing & Polish in CapCut: Stitched and paced the transitions so each painting seamlessly morphs into the next dimension, combining keyframe camera momentum, color matching, and immersive sound design to make the final arrival in LA hit with maximum impact.
Why I built it:
Every era of art had its own medium—from oil on canvas and woodblock prints to digital timelines. AI and CapCut are the new canvas. I built this piece to celebrate how creative technology lets us step inside our wildest visual ideas and bring them to life in seconds.
Brilliant concept Pedro! 🎨 Stepping through Art History for an "Unexpected Arrival" is genius - blurring classic human artistry with next-gen AI filmmaking is such a powerful angle. Love the creative take on the journey to Audrey Irmas Pavilion instead of a standard commute. Can't wait to see the full piece!