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The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Every creature in this identity is watching you.
Little Fen, a wetland club for kids. 50 creatures. 3 colors. Everyone gets eyes.
Case study drops soon.
Which creature goes first?
Hey Little Fen,
Can you see me?
BMW M4 Competition App Design | UI/UX Case Study We Designer Mobile Designer
I designed a premium automotive app experience inspired by the BMW M4 Competition, combining a bold visual identity with a sleek, modern interface. The design features cinematic car visuals, dynamic speed animations, performance specifications, and an immersive dark theme with electric-blue accents.
The interface highlights key performance details, including acceleration, horsepower, torque, and top speed, creating a high-end digital experience for automotive enthusiasts. Every screen is designed to communicate power, precision, and innovation through clean typography, striking visuals, and smooth transitions.
Key Features:
Premium automotive UI/UX design
Interactive speedometer and motion animations
Performance statistics and technical specifications
Dark-themed interface with electric-blue highlights
Cinematic visuals and engaging transitions
Modern layout with a performance-focused user experience
My Role: UI/UX Designer & Visual Designer Project Type: Automotive App Concept Focus: User Interface, Visual Design, Motion Design & Interactive Experience
Design Philosophy: Engineered beyond limits — transforming automotive performance into an immersive digital experience.
The interactive speedometer is a great way to make performance specs feel real instead of just listing numbers. The electric-blue on dark works well for a car like this. Curious how the speed animations hold up on lower-end phones. Did you need to simplify anything for mobile performance?
It started with one image.
A skull.
I couldn't stop looking at it. It felt like it was alive and dying at the same time.
So I kept going.
Each version felt like the same soul dying in a new color.
Then I thought… what if it actually moved?
So I took my Firefly images and brought them to life with the new Kling 4.0
No camera.
No studio.
Just one skull and a feeling I had to follow.
This is "Pigment of the Dead."
Sound on 🔊
Dark art