We've been a remote-first studio since day one. Not because it was trendy. Not because it was che...We've been a remote-first studio since day one. Not because it was trendy. Not because it was che...
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We've been a remote-first studio since day one.
Not because it was trendy. Not because it was cheaper.
Because we wanted to work with the right people, regardless of where they lived.
One thing I didn't expect?
The biggest advantage wasn't the 24-hour workflow. It was the 24-hour perspective.
A project might start in Arizona, get picked up somewhere else while we're offline, and come back with ideas we wouldn't have landed on by ourselves.
Fresh eyes catch things familiar eyes miss.
⟶ An editor notices pacing.
⟶ A producer questions the story.
⟶ A strategist simplifies the message.
⟶ Someone in another time zone asks the one question that changes everything.
That's why I don't think the real value of a global team is speed.
It's perspective.
The best creative work rarely comes from everyone thinking the same way. It comes from people with different experiences, instincts, and viewpoints pulling toward the same goal.
That's something we've leaned into at BRAEID from the beginning, and it's become one of our biggest creative advantages.
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Creatives on Contra have earned over $150M and we are just getting started