The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
I used vintage 1930s Art Deco travel posters from Picryl as references to train a custom style. I then applied this bold, geometric, and gold-accented vintage style to modern everyday technology like smartphones, VR headsets, and drones. The goal was to create a fun, anachronistic collision of eras, imagining how tech brands would advertise a century ago.
Note: Due to submission platform limits, I have uploaded my 4 strongest images from a complete series of 6 built in Recraft Studio. The full series is available in the linked project.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
Kalighat 2026: The Machines Are the New Babus
Kalighat paintings were cheap bazaar watercolours sold in 1880s Calcutta, and they were satire: they mocked the city's new rich, dandies who aped their British masters and lounged while servants fanned them.
I trained a Recraft V4 Style on five anonymous Kalighat sheets from the Cleveland Museum of Art and Wellcome Collection, keeping the bold single outline, flat colour and empty paper ground.
Then I turned the satire on 2026: the machines are the new babus. Phones smoke hookahs on velvet chairs, robot vacuums ride in palanquins, and humans fan, carry and groom their devices. Same masters, new hardware.
Social post: https://lnkd.in/p/gXJn_FQQ
The Future, as They Imagined It
I used this historical furniture illustration because I loved how people and animals became the furniture itself, supporting tables or shaping entire pieces. I paired it with this image, whose visual style caught my eye. Both references come from the Wellcome Collection. That made me wonder: what would furniture look like if the designers of that time had known about laptops, headphones, drones and the other gadgets we use today? I explored that question through a custom Recraft Style and a collection of eight furniture designs, each presented with a graphite sketch.
FOLD · Writing desk
A folding laptop becomes a writing desk. Its opening movement translates into folded supports and a curved privacy panel, finished in forest green, brick red and ochre.
LOOP · Lounge chair
Over-ear headphones become a lounge chair, with circular cushioned armrests and a curved frame wrapping around the seat. Brick-red upholstery and an ochre cushion sit inside a forest-green structure.
KEY · Sideboard
Keyboard keys become six sculpted drawer fronts, arranged in two rows. Their concave surfaces and rounded edges carry over into a cobalt-blue cabinet with blush-pink and cream drawers.
FOCUS · Floor lamp
A webcam becomes an adjustable reading lamp. Its capsule-shaped head and circular lens turn into a pivoting light, combining lavender, petrol green and butter yellow.
PLAY · Sofa
A game controller becomes a two-seat sofa. Rounded grips shape the armrests, while thumbsticks inspire the circular back cushions, in burnt orange, petrol blue and blush pink.
TRACE · Bookcase
A circuit board becomes a storage system. Its pathways translate into shelves and dividers, with enclosed compartments recalling electronic components, in sage green, burgundy and pale yellow.
HOVER · Coffee table
A drone becomes a coffee table. Four branching arms support circular surfaces at different heights, combining powder blue, coral and cream.
SOUND · Bedside cabinet
A portable speaker becomes a bedside cabinet. Its circular driver becomes a drawer, while its carrying loop becomes a sculptural frame, finished in plum, peach and mint green.
The final room illustration brings all eight pieces together, showing how this imagined collection could live in a contemporary home.
another one
Iroha Crest Works: what if the crest makers of 1881 had our tools?
I found the Iroha-biki Monchō, a public domain book of Japanese family crests compiled by Tanaka Kikuo in Tokyo in 1881, in the Smithsonian Libraries scan on the Internet Archive. I trained a Recraft V4 Style on eight of its crests and asked one question: what would its makers have done with our tools? With the Style I drew eight new crests as working sheets over the faint compass construction they drew by hand, opening with their tool, the compass, and closing with ours, the pen tool. Recraft's vectorizer rebuilt them as cyanotype blueprints, and Edit image put them back on the things crests lived on in 1881: a noren, a furoshiki, a paper lantern, a lacquer box and a sake bottle. Every image and clip after the archive was made in Recraft; the film and the before-and-after panels are cut from those outputs, with our plum set beside the book's own plum page.
Product steps, plain scene to Edit image to Outpaint: https://www.recraft.ai/project/3f2aaffb-d32a-4a2c-85e6-55a34d172c35
an 1881 crest book as training data.. very good pick