i've been revisiting my college's final paper, since we're going to register for a local design a...

i've been revisiting my college's final paper, since we're going to register for a local design a...i've been revisiting my college's final paper, since we're going to register for a local design a...

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Jessica Siqueira

• Jan 22

i've been revisiting my college's final paper, since we're going to register for a local design award. it's a project about vernacular typography/design in the city of São Paulo, Brazil.

editorial magazinedesign vernacular Content Research Print Design Adobe Illustrator Adobe InDesign Adobe Photoshop

Anita Autorino

max

• Apr 22

My dear Olivia Dean, I love you.

But why would you let this letterspacing happen?

Why aren’t the letters that are harmoniously supposed to be together, touching each other?

lettering Typography petpeeve

Taylor Fournier

pro

• Apr 23

Noooo it hurts 😭

Mcnove Pineda

• Apr 22

This piece explores the invitation as an editorial object rather than a traditional event design.

The direction is intentionally restrained, focusing on mood, composition, and typography to create a sense of quiet luxury. The visuals are built around a firelit, cinematic atmosphere, allowing light and shadow to shape the experience rather than relying on decorative elements.

Typography plays a central role in establishing hierarchy and tone. A refined serif is used with careful spacing to maintain clarity while preserving a sense of elegance and balance.

The overall composition emphasizes negative space and asymmetry, drawing from editorial layouts rather than conventional invitations.

This approach was intended to align with the sensibility of private members environments, where the experience is communicated subtly—through tone and atmosphere rather than overt detail.