LOVED THIS ONE! While exploring the Rijksmuseum's public domain collection, I fell for Ohara Koson's quiet woodblock prints of small birds and flowers on soft, misty skies.
I trained a custom Recraft Style on ten of his prints from 1900–1930, cropping away signatures and margins so only his gentle colors, delicate lines and generous empty space remained.
Then I asked: what if his birds moved to the city? I used the Style to design for everyday 2026 life, from a tram wrap and a full-sleeve tattoo to café umbrellas, a building mural and a pedestrian crossing painted as a lily pond.
A century later, Koson's birds are still finding new places to land.
While digging through the Rijksmuseum's public domain collection, I found George Barbier's Falbalas et Fanfreluches, a 1920s almanac of hand-stenciled fashion plates that promised fashions "present, past & future."
I built a custom Recraft Style from 10 of his plates, cropping away captions and borders so only his jewel-toned colors, elegant linework, and
confident Parisiennes remained.
Then I gave Barbier the future edition he never got to make: his women deadlifting, running boardrooms, livestreaming makeup tutorials, swiping through suitors and DJing until dawn.
Each scene is presented as a post on Falbalas, an imaginary 1920s social feed where the admirers are many and the comments are scandalized.
It's a celebration of women taking up space, drawn in the style of an artist who always made them the most powerful people in the room.