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Skills I used:- Color Correction, Dreamy Look, Cinematic Cuts and Transitions
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Who needs an invitation when you have a little imagination and a lot of fantasy?
That's how I got to the CapCut World LA event at the Audrey Irmas Pavilion. The trip was... intense! 🦄
This is my entry for the new Contra × CapCut challenge.
My workflow:
① I created the character sheet and the prop sheet for the mushroom, as well as the location sheets for a nature landscape and the Audrey Irmas Pavilion.
② I created still shots using my internal AI image generation tool.
③ I created trippy 2D/3D animated images to use as the opening frames of the videos.
④ I imported all the images into the CapCut Video Studio and used the CapCut AI to animate them.
⑤ I created the music in ElevenLabs/ElevenMusic.
⑥ I edited the videos using DaVinci Resolve.
hahah.....this is my favorite. If you're a fan of Lamborghini, This is for you.
I can do this not just only with a Car, but with Houses, Tools anything Visible. I just need a good videographer. (I mean a pretty lady videographer that can be my girlfriend😘😷🤭🤭🤭)
Stunning
Want quality work?
You need me!
Here is the @Airbnb video (made with claude), next can be yours, DM for work
Through this video, I learned a lot about how sound works. In previous variations, I struggled to balance the background audio with the female voiceover. At times, the audio was jittery, and the animations didn't quite align.
To solve this, I created a storyboard and used Figma alongside other design tools to feed context to the Claude.
This video is the result of that process. Ultimately, I learned that no single tool can do it all. You have to bring your own skill, taste, and vision to the table. It starts with a clear rough board, followed by extensive brainstorming. Only then can you achieve a truly amazing final output.
The honesty in this breakdown is great, Vraj. Learning to balance voiceover against background audio is the hard part of video work. The storyboard-to-Claude process sounds solid.