Would you pick this up off a magazine shelf? A fashion cover concept built around glossy beauty, ...Would you pick this up off a magazine shelf? A fashion cover concept built around glossy beauty, ...
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
A fashion cover concept built around glossy beauty, translucent frames, muted tones, and oversized editorial typography. I wanted the design to feel bold without becoming loud keeping the imagery at the center while letting the typography shape the mood and identity of the cover.
The direction, composition, type treatment, color palette, and cover details were all developed to create that polished, contemporary fashion-editorial feel.
Over the last few years, I moved across the full spectrum:
• Branding taught me systems how a mark survives across every medium.
• Packaging taught me physical detail real print constraints, paper stock, and dieline tolerance.
• UI/UX taught me structure frictionless navigation and user behavior.
• Web design taught me how to connect the entire journey from shelf to screen.
Instead of keeping these disciplines in silos, I brought them together into a unified personal archive.
I love how you connect branding to packaging and UX—the idea that a mark has to survive every medium is so true. The case-study grid makes that range feel tangible without losing the thread.
One of the projects that shaped the type of work I enjoy building today.
Back in 2017, I had the opportunity to help develop this interactive editorial experience for CNN on the opening of the Louvre Abu Dhabi. That was my first project with CNN.
Rather than presenting the story as a traditional article, we used animation, scrolling, photography and video to guide readers through the architecture, engineering and vision behind the museum.
It's this blend of storytelling, design and development that made me realise how powerful the web can be when interaction becomes part of the narrative.
It's also the kind of work I still love creating today, whether for publishers, agencies or brands looking to tell a story in a more engaging way.