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One of my favorite edits from Summer 2025 finally made it's way to Youtube!
Austin Ray demonstrates the power of film scoring in this dark and moody rescore of Wes Anderson's Asteroid City.
Nice!
Amazing!
Love the concept, Kayla! Film scoring really does change the entire vibe of a scene. Out of curiosity, what was the biggest challenge in balancing Wes Anderson's quirky visuals with a darker sound palette?
Nice Job
The network for creativity
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“BROKEN SUMMER”
A 1990s-inspired Japanese anime VHS trailer created with AI tools and a lot of passion for old-school storytelling.
I wanted to recreate the emotional atmosphere of classic anime dramas:
rainy Tokyo nights, loneliness, love, failure, dreams, and rebuilding yourself after losing everything.
This project was heavily inspired by the feeling of 90s anime cinematography, hand-drawn cel animation aesthetics, VHS textures, and realistic human emotion.
Created independently using AI-assisted production workflows:
story development
cinematic direction
anime visual generation
soundtrack integration
trailer editing
Title: BROKEN SUMMER
Created by Mcnove Brian
#AI #Anime #Animation #90sAnime #AITools #CreativeAI #Storytelling #FilmMaking #JapaneseAnime #Cinematic #Trailer #IndieCreator #Melius #Video Converter Studio
Warm and cozy.
When I was little, I used to sit on a bench in the park near my house and imagine I was somewhere else entirely.
Underwater, breathing with the fish. In a city made of shadows. Standing in a temple made of light.
I think every kid does that. You sit still on the outside, but inside you're visiting five worlds at once.
That idea stuck with me. What if you could actually see those worlds? What if one ordinary photograph could crack open into five impossible realities — and you could watch a girl live inside each one?
That became "One Photo. Five Worlds."
I started with the most mundane image I could think of: a bored girl sitting on a park bench on a gray Tuesday afternoon. Then I used Melius to transform that single moment into five cinematic universes:
🌊 The Deep — An underwater kingdom where her hair floats weightlessly and jellyfish drift past her fingertips. She reaches out in wonder.
🔥 The Remains — A post-apocalyptic wasteland where she stands on the rusted bench, scanning the horizon. Everything ended. She did not.
✨ The Glow — An enchanted bioluminescent forest where she kneels in the moss, laughing as fireflies land on her shoulders.
🎬 The Shadow — A 1940s film noir city in black and white, with one amber neon sign as the only color. She looks over her shoulder like a tiny detective.
⛅ The Divine — A mythological temple bathed in god-rays, where she stands with her face tilted toward the heavens. She was never ordinary. The world just forgot.
In every world, her outfit transforms. The bench transforms. The lighting physically touches her skin. She's not placed in front of these worlds. She's inside them.
The only constant across all five realities is her face and a tiny silver star necklace.
Feedback on Melius:
Melius turned what would have been weeks of multi-tool work into one afternoon on one canvas — the visual pipeline from GPT Image 2 to Seedance 2.0 made cinematic world-building feel effortless.
impressive.
If your creative assets don't evoke a physical reaction, they fail. 🧠⚡
In CPG marketing, attention is the only currency that matters. If a user doesn't stop within the first 1.5 seconds, your render didn't happen.
For this Fizzbears spot, my goal as a Creative Producer wasn't just to make something "look cool"—it was to trigger a sensory memory. I wanted to simulate the exact, mouth-watering feeling of biting into a sour gummy using style scale and hyper-vibrant color theory.
The Attention-Stopping Stack:
💎 Crystalline sugar rendering that feels tangible.
🌌 An "Interstellar-style" light tunnel transition.
⚡ Audio design that snaps perfectly on the beat.
Stop chasing generic loops. Start building worlds that command attention.
📌 Drop a comment or message me if you want to elevate your brand’s next visual campaign.
GOATED Bro..
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