In Japan, a meal called "one soup, three dishes" usually has more than four things on the tray.
The idea is ichiju sansai: a soup, a main dish (often grilled fish) and two smaller sides.
Rice and pickles are always served too, but they aren't counted among the three dishes. They're simply the base of the meal.
A grilled fish set meal, yakizakana teishoku, is one of the easiest places to see this in everyday life: salt-grilled fish, miso soup, rice, pickles and a little grated daikon.
In 2013, washoku, the traditional dietary culture of the Japanese, was added to UNESCO's Intangible Cultural Heritage list.
I write sourced English blog articles plus 55-second video scripts about Japanese food. Running a Japan, food or travel channel? I'm open to new projects.
Thank you so much, Vimal! Grilled fish, rice and miso soup is one of the most everyday meals in Japan — simple, but I love how balanced it looks on the tray.
This 9:16 AI-generated food commercial showcases the preparation and presentation of Nigerian small chops through realistic kitchen action, appetizing close-ups
What if the same food-delivery industry could tell two completely different visual stories?
🍊 CRAVE — Made to Tempt
Warm tones, expressive typography, vibrant food photography and playful 3D elements. Designed to make food discovery feel exciting, inviting and full of personality.
🖤 QUICKBITE — Made to Indulge
A darker, richer visual direction with cinematic burger photography, bold editorial typography and immersive layouts. Designed to put the food front and centre and make every interaction feel intentional.
Two brands. Two moods. Two approaches to the same experience.
Now I'm curious:
Which direction would make YOU stop scrolling and place an order?
Drop your pick below. I'd love to hear the reasoning behind it!
I’m interested in making people feel something before they know what to cook.
For Gentleman Cuisine, I approach each video as a small film: a clear emotional hook, sensory close-ups, sound that carries texture, pacing that lets the food breathe, and an ending worth staying for.
This is the approach I bring to long-form YouTube, branded food films, and product-led video content.
Open to remote collaborations with creators, production teams, and food or lifestyle brands.