This is my 2nd Submission Check my 1st submission at this link: https://on.contra.com/CbjhLm Inspired by: Manuel Osorio Manrique de Zúñiga, Francisco Goya, 1787–88, from The Met's open archive. Link to Original Art: https://www.metmuseum.org/art/collection/search/436545

I liked this painting because of the boy at its center, Manuel, dressed in a striking red suit, holding a magpie on a string while three cats watch him from the shadows. Even as a child's portrait, it felt tense, like something was about to happen. It looked like a moment frozen right before a story unfolds.

What I made: I turned Manuel into a toy doll, kept his red suit, his pose, his face, everything the same, just changed what he is. In my video, a father buys the doll from a toy shop and gives it to his little daughter, and they walk out together. I chose a girl instead of a boy on purpose, it felt like giving Manuel a second life completely outside the world he was painted into, away from the cats, the cage, the tension, just a toy being loved.

How I made it: I downloaded the painting image from The Met's open archive, then imported it into FLORA, connected the picture to a text prompt node, then connected both the picture and text prompt node to the video node I also made an element Doll, and selected the Seedance 2.5 model with a 30 second clip. I kept the workflow as simple as possible.

Why I made this: I wanted to take Manuel out of the painting and out of the museum, and give him an actual childhood, even 230+ years later. I think his portrait still holds so much presence that it deserves to live on, just now as something a child can actually hold and love, not just look at.

Instagram post link: https://www.instagram.com/p/Dc8SwEJMwP3/ Twitter(X) post link: https://x.com/AhmadSauleh/status/2096539462402466095?s=20

Awwwww so sweeet, ideaaa!!!

 This collection is a study of how graphics convey states, meanings and visual images.

The works are not united by a single plot canon, but form a common integral language

through mixed techniques: a combination of digital drawing, real paper textures, magazine

collage and naive illustration. Each work is a separate conceptual and visual experiment. 

Here, the absurdity of everyday rules (Bonnes Manières) coexists with the mysterious figure of the Commivoyager, and intersect with a pure graphic form (CHAINS). The central place is occupied by the work Повисели и хватит - the first teaser of the future series about the living of real, vulnerable feelings inside the ironic and "fabricated" collage world.

Love this!