Most lending businesses run on email threads, spreadsheets, and disconnected SaaS tools duct-taped together. That's where SBA Loans HQ started.

Brokers losing deals in their inbox. No pipeline visibility. Critical business logic living inside Zapier. Six months later, none of that was true anymore.

We built a full platform from scratch — four user roles, a Kanban deal pipeline, automated document bundles, in-platform messaging, and a live analytics dashboard for leadership. Document collection that used to take days of back-and-forth now closes in hours.

AWS Textract pulls structured data from financial PDFs in seconds instead of 30 minutes. A multi-agent AI layer handles lead scoring, deal prioritization, and document analysis — brokers see which deals are worth their time without reviewing everything by hand. Every third-party automation connector was replaced with a backend engine built in-house.

$33M+ in loans approved. 50+ lenders onboarded. 60% reduction in operational overhead. Six months, start to production.

Stack: Next.js, Django, PostgreSQL, AWS, Multi-Agent AI, Textract, DocuSeal.

Congrats 🔥 Where'd you design your UI/UX?

The Painter of Cities is a Melius-built cinematic short about an impossible gilded automaton that paints a living city onto a monumental black wall. From the city he creates, a female droid briefly appears within the painted surface. They reach toward each other, almost touching, before she is reclaimed by the wall.

It is a quiet story about creation, longing, and the tragedy of making something beautiful that cannot fully enter your world. https://app.melius.com/projects/23546fb0-e3a3-4074-925f-676dfe384aad/canvas/f96fdb6f-cf03-40cd-ba59-f1ddd40a23a6

PROCESS STEPS

The project began with the challenge theme: create something that should exist, but doesn’t. The core concept became The Painter of Cities: an impossible gilded automaton that paints a living city onto a monumental black wall. Melius was used to generate sequential image keyframes for the story: the city being painted, the female droid appearing inside the wall, their near-touch, and her return to the painted surface. The prompts were refined through several iterations to preserve visual continuity across the male droid, female droid, city wall, studio, palette, and old-master oil-paint aesthetic. Short silent video scenes were generated from the keyframes, then adjusted to control pacing, motion, transitions, and emotional tone. The video scenes were stitched into a final silent film. An original instrumental music cue was generated to match the final timing and emotional arc of the film.

FEEDBACK ON USING MELIUS

Melius worked best as a visual production canvas rather than a one-shot generator. The node-based workflow made it possible to build the project step by step: image keyframes, video scenes, stitching, music, and final assets.The strongest part was being able to iterate visually and preserve the creative process inside the canvas.The hardest part was controlling motion continuity between generated video clips. Some transitions and character movements required very precise prompting, especially when preserving the same droid designs and painterly world across multiple nodes.

Stunning!