When José touches it, he sees a robbery at a museum: a man who looks like his brother running through the rain, pursued by police. He escapes and reaches a black market, where the tray changes hands before being delivered to someone waiting in an old car.
Then the vision reverses.
The same moment plays out differently. What looked like a robbery may have been something else entirely. José cannot tell which version is real.
He doesn't report his brother. He doesn't sell the tray to save the shop. He hides it.
“First, I need to know what I saw.”
From then on, every episode brings a new object to José's counter, and a new vision: a contact, a flash, contradictory fragments, a return to reality, and a question.
José knows he has seen something. The audience isn't sure what they've seen either.
And behind every object lies the same unanswered mystery:
What was José's brother really doing?