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The Assumption of the Virgin, Bernardo Daddi, 1337–38. Tempera on wood, gold ground. The Met, Robert Lehman Collection (1975.1.58).
This panel is the top half of an altarpiece for a chapel in Prato Cathedral, built to house the city's real relic: the Virgin's girdle. In the...
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The Last Memory
Coin cabinet — Charles Percier, Paris, ca. 1809–19
The Last Memory reimagines Charles Percier's Coin cabinet as an archive of human memory. Instead of preserving coins and medals, its drawers preserve fleeting fragments of human life. Most compartments have gone dark, leaving only a few fragile memories behind. I kept the cabinet grounded in the visual language of a real museum artifact and introduced one impossible idea: what if memory itself could be physically preserved?
Thanks for your submission! If you claim the free credits through the process outlined in the submission guidelines, your image will not contain the Flora watermark. You can then re-upload your submission, with a clean version your image!
Big milestone! $25K is no small thing, congrats to Marto.
What if a "still life" wasn't dead at all? 🍎🌱
For the #FLORAMuseum challenge, I reimagined an open-access work from @metmuseum without changing its composition, lighting, or adding anything to the scene.
I simply let time move forward.
The fruit decays, seeds begin to sprout, and a “dead” still life slowly becomes a living cycle again.
Built and iterated in FLORA, using the original artwork as the visual anchor.
Nature is never truly still. And never truly dead. 🌱
So cool!
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