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Excited to submit my "Luxury Editorial 2-Input" technique to the Flora AI contest!
As a creative in retail fashion, clients constantly need garment-accurate, model-perfect images for campaigns—fast. This Flora device takes two inputs (model + garment) and outputs four polished editorial shots in diverse luxe environments.
No more endless iterations: Swap inputs, generate instantly, deploy. Streamlining AI workflows like this is transforming how we produce high-end visuals.
Create a multi-shot fashion editorial campaign
Flora creators—check it out and let's connect on innovations! Who's building similar tools?
#FloraAI #GenerativeAI #FashionTech #AICreative #VideoProduction
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Exploring tensions from my first entry for the Flora Museum Challenge. Sometime AI is only so much a short cut to help bring out your vision but was interesting comparing results.
For the on the building concept I started working with this building engraving came the closet to what I was envisioning.
Inspired in part by murals and other older architecture or art work/features on older buildings next to more modern building in downtown Chicago.
Link to the original artwork: https://www.metmuseum.org/art/collection/search/20029
Link to the canvas: https://app.flora.ai/view/js787x56mdpy8bkkmm5bcrz6c18dxmh7
3 voted
60%
2 voted
40%
5 votes
Closed
A Place to Pause
What happens when a vessel made for a quiet moment becomes the room around that moment?
I used The Met's public-domain Tea Bowl with Chrysanthemum Decoration, object 93.1.94, as the reference for an imagined contemporary quiet room. The museum identifies the bowl as Japanese Kyoto ware, probably from the second half of the 17th century. Its curved profile, decorated surface and raised foot guided the spatial brief.
On the FLORA canvas, the original photograph feeds two Nano Banana 2 image studies. The final interior carries the bowl's curve into earthen walls, its decorated band into floral relief and its rim into a ring of daylight. A seated figure establishes scale. This is a conceptual interpretation, not a reconstruction of historic architecture or a buildable architectural proposal.
The sectional study is retained as a rejected exploration: the model added unsupported cultural/material labels. Those labels are not museum facts and the cutaway is not the final image. The separate attribution note records the verified Met details. The brief records design intent; the selected interior shows what the model actually produced.
Created with AI-assisted planning and two native FLORA image generations. Original Free-plan watermarks are retained. The source photograph is credited to The Metropolitan Museum of Art, Gift of Mr. and Mrs. Samuel Colman, 1893; Public Domain.
Original artwork: https://www.metmuseum.org/art/collection/search/62649
Thanks for your submission! If you claim the free credits through the process outlined in the submission guidelines, your image will not contain the Flora watermark. You can then re-upload your submission, with a clean version your image!
Hey wanted to share a few process screenshots inside Flora, for "L'empreinte" my submission for the Challenge.
If you want to check out the Video breakdown link is here!
The strongest idea here is that the object remembers us back. Turning a functional coffeepot into a record of touch gives the original piece a second life without losing its identity. The imprint becomes evidence of a relationship, not just wear.
