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Bureau for Neural Architecture is live.
BfNA is a Paris-based practice bridging neuroscience and architecture, founded by Laura Ulloa. Fifty-six projects. Ten countries. A decade of research, and no digital presence to show for it.
We built the brand from scratch : identity system, custom SVG animations, Webflow CMS with dual-collection filters, privacy-first analytics, zero trackers. Eco-conscious by design, fully editable by Laura after handoff.
The site loads in under a second, scores 90+ on PageSpeed, and emits 0.06g of CO₂ per visit.
→ bfna.fr
→ Full case study : Check it out
What do you think ?
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Built a concept website for an autonomous surveillance robot fully interactive 3D scene running live in Spline.
Dark environment, electric blue lightning, the unit sitting right in the middle of it. The kind of hero section that doesn't need a headline to make a point.
You're an amazing designer!
I’m exploring two homepage hero directions for a Coffeebar concept and testing which one feels stronger for the brand.
Direction 1 leans more editorial and product-focused, with a cleaner cream layout, image grid, and a stronger emphasis on coffee culture and product discovery.
Direction 2 feels more immersive and lifestyle-driven, using full-bleed photography, darker overlays, and a warmer coffeehouse atmosphere to create more emotion and brand personality.
Both directions can work, but they communicate slightly different things:
Direction 1: clean, curated, product-forward
Direction 2: warm, emotional, lifestyle-focused
I’m leaning toward the second direction because it feels more human and memorable, but I’d love to hear which one feels stronger at first glance.
11 voted
41%
16 voted
59%
27 votes
Closed
Direction 2 for me — full-bleed photography creates that 'I want to be there' feeling instantly. Direction 1 is clean but Direction 2 has soul.
SPOT THE BOT, a gallery game about telling human creativity from a machine's
The problem. AI can now create almost anything, and for designers that's not abstract. The fear is that taste, judgment, the human "tell" in a piece of work no longer counts for anything. So instead of arguing about it, we made a game out of it.
The idea. Everyone gets the same prompt ("give beige a personality," "what keeps you up at 3am"), the same fixed kit of pieces, and 30 seconds. So does an AI. Every tile lands on a gallery wall, and players vote: which one is the bot? Then comes the reveal: who fooled you, and who you fooled. The constraint is the whole point. When everyone has identical pieces, the only thing separating the tiles is taste, wit, and choice, the human stuff. Right now the bot fools 72% of players, and every round feeds that number: a live, accumulating measure of where human judgment still holds the line.
The build & workflow. Designed and built end to end in the Figma ecosystem: the editor, the real-time multiplayer rounds (MAKE, VOTE, REVEAL), and the MUSEUM of every player-made tile. The asset kits (risograph, torn paper, duct tape, liquid metal, and more) were generated with Weavy.ai.
It's recursive by design: a game about spotting machine-made art, built with the machine's own creative tools. The medium is the argument.
Try it Live: Spot The Bot
Figma Community file: Community File
No sign-up. 30 seconds. Learn to see the human.
Good work!
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