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Hello artists, here’s my CapCut challenge submission. I created two AI videos using CapCut Video Studio. The first tells the story of a freelancer struggling with complex editing software late at night, until CapCut Video Studio launches in the morning and transforms his workflow. The second shows how CapCut and Contra together change his life and open new creative opportunities. I also included a full process video at the end showing how I created everything.
#capcutcpp #capcutvideostudio
here's my linkedin Post Here
linkedin.com
#capcutcpp #capcutvideostudio | Reda Charifi
Hello artists, here’s my submission for the CapCut Video Studio challenge on Contra. I created two AI-driven videos using CapCut Video Studio. The first tells the story of a freelancer struggling with complex editing tools late at night, until discovering CapCut Video Studio in the morning, transforming his entire creative workflow. The second video highlights how CapCut and Contra together can change a creator’s life by opening new opportunities and simplifying content creation. I also included a full process walkthrough at the end to show how everything was built inside CapCut Video Studio. Excited to explore more with AI-powered storytelling 🚀 check my submission: https://lnkd.in/dv5rKD9j #capcutcpp #capcutvideostudio
My X post
Excellent job, love the anime style 😍 🔥
thankyou
Exccccccellent job
thaanks
great job 💯
thankyou broski😍
you are making a good progress, i wish you the best
The network for creativity
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Since October 2025, I’ve been working with Frontify on an ongoing series of onboarding and tutorial videos designed to help both new and existing users better understand the platform.
So far, we’ve created 75+ videos — and the library is still growing.
The workflow is fairly simple, but the challenge is in keeping everything clear, consistent, and engaging across such a large number of tutorials.
🎥 Screen Studio for recording
🎞️ After Effects for editing and animation
🙌 No AI used in the editing process
Every video is manually crafted with the goal of making product features and workflows easier to understand and follow.
It’s been a great long-term project and an interesting challenge in building a repeatable production process without letting quality or attention to detail slip.
✅ Check it out
#MotionDesign #VideoProduction #AfterEffects #ScreenStudio #ProductDesign #Onboarding #Tutorials #Frontify
75+ videos and still growing is a serious production pipeline. At that volume, are you templating the structure heavily to keep it sustainable, or does each video still get built mostly from scratch?
I went into The Met's open access archive looking for a textile. I found the pattern I wanted on a suit of armour instead.
Greenwich, 1586. George Clifford was Queen's Champion to Elizabeth I, and his garniture is etched and gilded with her cipher, two E's back to back, repeated across every plate from helmet to sabaton without a break. Not a badge on the chest. A repeat running over an entire body, worn by royal licence, three hundred years before any house put its initials on a bag.
So I took it off the steel and put it back on a body.
RUNNING CIPHER is one woven matrix and eight streetwear pieces cut from it, shot on Yorkshire moorland in winter with the sun never higher than eighteen degrees above the horizon. My first matrix was wrong: I kept the cipher at armour scale and it collapsed into generic damask. Enlarging it four times was what made it read as a garment print instead of wallpaper. That failed version is still sitting on the canvas next to the one that worked.
The casting carries the argument. Clifford's only child, Anne, was written out of the inheritance when her father left the northern estates to his brother. She spent thirty-eight years in court, won in 1643, and rebuilt the castles herself. The mark he borrowed from a queen is now worn by the women who took the land back.
Everything is on the canvas: the Met plates that fed the matrix, every rejected generation, the casting tests, the frames that did not make it.
Original work: https://www.metmuseum.org/art/collection/search/23939
Armor Garniture of George Clifford, Third Earl of Cumberland. Jacob Halder, royal
workshops at Greenwich, 1586. The Metropolitan Museum of Art, 32.130.6a–y. Open Access.
@floraai #FLORAMuseum
this is such a unique concept!
Surf Excel — Realistic AI Commercial Concept
Created a realistic cinematic AI commercial concept for Surf Excel, featuring premium product shots, natural environments, realistic motion, and polished advertising visuals.
AI VIsual DesignerContent CreationAdobe Premiere ProGoogle FlowGoogle GeminiAI Video Productionproductadvertisementbrandcontent
The product shots and overall realism make this feel much closer to a real commercial than a typical AI concept. I especially like how the visuals keep the product as the main focus while still making the environment feel cinematic.
