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Few of the 3D assets that I created in Cinema 4D + Redshift for EPYC. The renders, visual heroes, and ambient scene assets that went straight into live sites. Each one built to fit a specific layout, color palette, and brand tone.
This is the kind of work I do when 3D and web design stop being separate disciplines. If your brand needs visuals that actually feel native to the web not just dropped in this is where I start.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Just launched a new page on https://www.madrepunk.com/: Madrelabs.
The layout is built on an infinite 3D canvas — drag to pan, scroll to move through depth. Motion experiments, UI motion ideas, layout tests, and raw sections from real projects all live there now.
It's part sketchbook, part lab. A living space that grows alongside the studio.
The site is still a work in progress and that's intentional. Next step is the Framer Assets page — one place for all our templates and components.
Love this approach. Turning a portfolio into a living creative lab makes the work feel much more immersive and authentic.
Two templates in with Cobi Studio. The third is already on the way. 👀
A premium Framer template for creative studios, branding agencies, and film teams who want a site that sells the work, not just shows it.
Eleven editorial pages, full CMS, and a design system you can rebrand in minutes. Plus a full step-by-step walkthrough video, so you can launch even if you’ve never touched Framer.
Running a studio? Tell me what your current site is missing. 👇
This is so smooth and effortlessly clean
The Editor Behind Every Story
Concept
For this reinterpretation, I imagined CapCut not as a tool, but as a lifelong storyteller—the invisible editor helping us make sense of the moments that shape who we become.
The film follows a young man who discovers a letter written by his 10-year-old self. As he revisits the dreams, expectations, and promises contained in the letter, he realizes that while life did not unfold exactly as planned, every experience, relationship, and memory became part of a story still being written.
CapCut is reimagined as the editor behind every story—quietly helping us preserve, connect, and give meaning to the chapters of our lives.
Creative Process
The visual development began inside CapCut Design Studio, where I explored references and inspiration from the existing asset library to establish the emotional tone and visual language of the film.
Using Design Studio, I generated the key still images for each scene, developing the characters, environments, and cinematic moments that would form the narrative. These images became the visual foundation of the project.
The generated stills were then animated and sequenced in Runway to create motion, allowing the story to unfold through a series of interconnected moments and memories. Throughout the process, the focus remained on creating an emotional journey that reflected the film's central idea: that every life is a story still being edited.
Final Message
Every life is a story still being edited.
You were never writing it alone.
CapCut — The Editor Behind Every Story.
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