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Here is my submission link- https://on.contra.com/rQfmBg
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Here are the hyperlinks to the artworks in the Metropolitan Museum of Art's digital collection, matched to the images provided:
Ladscape.jpg: The Rocky Mountains, Lander's Peak by Albert Bierstadt (1863)
https://www.metmuseum.org/art/collection/search/10154
Protagonist.jpg: Repose by John White Alexander (1895)
https://www.metmuseum.org/art/collection/search/10065
Wine pot.jpg: Pot (Edo period, 1820)
https://www.metmuseum.org/art/collection/search/47019
Elite man.jpg: Portrait of a Young Man by Bronzino (1530s)
https://www.metmuseum.org/art/collection/search/435802
Elite woman.jpeg: Madame X (Madame Pierre Gautreau) by John Singer Sargent (1883–84)
https://www.metmuseum.org/art/collection/search/12127
Home.jpg: Landscape with a Cottage by Pieter de Molijn (1629)
https://www.metmuseum.org/art/collection/search/437102
Horse boy.jpg: Don Baltasar Carlos on horseback, after Velázquez by Francisco de Goya (1778)
https://www.metmuseum.org/art/collection/search/397904
Intoxicated erotic statue.jpg: The Intoxication of Wine by Clodion (ca. 1780–90)
https://www.metmuseum.org/art/collection/search/192727
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📌 Watermark on your FLORA exports? Here's the fix.
The FLORA watermark comes from the free plan. Everyone in this challenge gets $50 in free FLORA usage, and claiming it upgrades your account so your exports come out clean.
For details on how to redeem, check the challenge guidelines or the confirmation email Contra sent when you joined the challenge for instructions (check spam if you don't see it). Already submitted something watermarked? Claim the credits, re-export, and update your entry.
Happy curating! 🌸
The Lover’s Eye was never just a portrait. It was a portrait of a gaze. The art of looking back.
For the #FLORAMuseumChallenge, I chose the 19th-century Lover’s Eye Bracelet, an intimate object featuring a miniature of a loved one’s eye. Pieces like these were worn close to the body so the wearer could imagine their beloved’s gaze resting upon them 👁️
That idea became my creative starting point: what if the gaze that we see in art could be returned?
So I imagined a woman walking through present-day New York wearing the bracelet. As we get closer to the miniature, we find "Ivy" actually looking out from her own time. The person preserved inside the object is suddenly looking back at us, creating a fleeting exchange between past and present.
The engraved name “Ivy” on the back of the actual bracelet became a small but meaningful detail that helped me imagine the story behind the object.
And so I wanted to create something that felt like a visual poem 💛
A gaze captured centuries ago, finding its way back to another pair of eyes.
wow. Love the idea!!
A painting that survived on the one wall still standing, after the house around it was destroyed. The storm it once depicted became real smoke, rising from the same horizon behind it — same place, same hills, same water, but the calm is gone.
I didn't age the painting forward or backward in time. I placed it somewhere that exists in parallel to where most of us are sitting right now — a place where this kind of stillness has been replaced by something else entirely.
Original piece: "Approaching Thunder Storm" by Martin Johnson Heade, 1859, oil on canvas — The Metropolitan Museum of Art (Open Access)
Link: The Inspiration Piece from the Met Museum
Built on FLORA, starting from a static image of the painting, then building the surrounding wall and environment through iterative generation and manual refinement, before animating the final camera move outward.
My submission for the FLORA × The Met Challenge.
This deserves more than just liking, this deserves to be featured! 🏆 Nailing that surreal narrative contrast behind the painting creates such a compelling submission.
