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Animated grand-opening promo — Burger Empire
A short looping animation designed for restaurant launches and social promos: a real storefront photo comes to life with a ribbon-cutting ceremony, balloons, confetti, and a hero reveal of the signature burger. Built to be fully customizable with any brand's logo, colors, and product photography.
Since it's built to take any brand's storefront photo, the thing that will decide whether it actually stays reusable is the lighting match — confetti and balloons composited over a flat daylight photo tend to give the swap away faster than the logo does. How are you handling that when the source photo isn't yours?
Sir its my own creation source photos are my own creating its a concept project i am not having any order right now the pics i used are already posted on profile and created by me not for someone else i did
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Exploring the intersection of mental well-being and modern design. This interface focuses on "micro-moments" of calm, guiding users from stress to serenity through soft gradients, rounded typography, and gentle interactions.
soft gradients suit this really well
SOLENE Paris pt. 4
SOLENE Paris is an elevated perfume house that creates fragrances that are designed to be an everyday luxury. I developed a brand identity rooted in restraint, featuring a chic wordmark, a neutral palette, and minimalist packaging.
The bottles were designed to feel less like a display piece left untouched on a shelf, and more like something you'd toss in your handbag and cherish as part of your everyday routine. Texture and natural image shots were incorporated to make the brand feel human, effortless, chic, and lived-in. The result is a brand that feels quietly luxurious and entirely timeless. SOLENE's fragrances are the kind of staple that belong in your everyday life, not just on display.
View the full project here
so nice
THE SWEEPER'S LOOP — a #FLORAMuseum submission
ORIGINAL WORK: One sketch from an album titled Painting, by Shibata Zeshin (Japanese, 1807–1891), Meiji period, 19th-century Japan. Housed at The Metropolitan Museum of Art, accession number 52.160.3a–q — an album of seventeen watercolor sketches on paper, mounted on natural silk, image area 11 x 14 in. (27.9 x 35.6 cm). Held in the Museum's Asian Art department, credited as a Purchase, Gifts, Bequests, and Funds from various donors, by exchange, 1952. Classified under Paintings.
WHAT DREW ME IN: An elderly man caught mid-stride, bent low, sweeping the ground with a bundled twig broom. His face is drawn with just a few wrinkled lines — a furrowed brow, a hollow cheek, a short beard — yet it carries the full weight of a lifetime of quiet, repetitive labor. The background is almost nothing: aged beige paper, empty space, just the man, his broom, and a small scatter of leaves at his feet. A red artist's seal marks the corner. It's Zeshin's economy of line that stopped me — how much life he gets from how little ink.
WHAT I MADE: I couldn't stop wondering what happened right after this frame. Did he finish? Did the wind undo his work the moment he was done? So I built an 8-frame looping animation that keeps Zeshin's exact palette, brushwork, and restraint — the man sweeps, gathers the leaves, wipes his brow in relief... and then a gust of ink-line wind scatters everything right back where it started. He sighs, and begins again. A single sketch turned into an eternal, gently comic loop of labor that never quite ends.
WHY: Zeshin's sketch already holds a whole story in one still gesture. I just wanted to give that gesture time — to see the sweep before and after the moment he chose to capture, and to find the small, human joke hiding in it: the work of sweeping is never really finished.
Built on FLORA. Inspired by The Met's public archive.
@floraai #FLORAMuseum
Project https://app.flora.ai/view/js7f6v9tp6150kk7wmaeg2sfb18drna4
Original https://metmuseum.org/art/collection/search/57329
This is really nice